Biography
William Jones was born in London at Beaufort Buildings, Westminster; his father (also named William Jones) was a mathematician from Anglesey in Wales, noted for devising the use of the symbol pi. The young William Jones was a linguistic prodigy, learning Greek, Latin, Persian, Arabic, Hebrew and the basics of Chinese writing at an early age. By the end of his life he knew thirteen languages thoroughly and another twenty-eight reasonably well, making him a hyperpolyglot.
Jones' father died when he was aged three. His mother Mary Nix Jones raised him. Jones attended Harrow in September 1753 and then went on to Oxford University. He graduated from University College, Oxford in 1768 and became M.A. in 1773. Too poor, even with his award, to pay the fees, he gained a job tutoring the seven-year-old Lord Althorp, son of Earl Spencer. He embarked on a career as a tutor and translator for the next six years. During this time he published Histoire de Nader Chah (1770), a French translation of a work originally written in Persian by Mirza Mehdi Khan Astarabadi. This was done at the request of King Christian VII of Denmark who had visited Jones - who by the age of 24 had already acquired a reputation as an orientalist. This would be the first of numerous works on Persia, Turkey, and the Middle East in general.
In 1770, he joined the Middle Temple and studied law for three years, which would eventually lead him to his life-work in India; after a spell as a circuit judge in Wales, and a fruitless attempt to resolve the issues of the American Revolution in concert with Benjamin Franklin in Paris, he was appointed puisne judge to the Supreme Court of Bengal on 4 March 1783, and on 20 March he was knighted. In April 1783 he married Anna Maria Shipley, the eldest daughter of Dr. Jonathan Shipley, Bishop of Landaff and Bishop of St Asaph. On 25 September 1783 he arrived in Calcutta.
Jones was a radical political thinker, a friend of the American Revolution. His work The principles of government; in a dialogue between a scholar and a peasant : printed and distributed gratis by the Society for Constitutional Information, 1783 was the subject of a trial for seditious libel after it was reprinted by his brother-in-law William Shipley.
In the Subcontinent he was entranced by Indian culture, an as-yet untouched field in European scholarship, and on 15 January 1784 he founded the Asiatic Society in Calcutta. Over the next ten years he would produce a flood of works on India, launching the modern study of the subcontinent in virtually every social science. He also wrote on the local laws, music, literature, botany, and geography, and made the first English translations of several important works of Indian literature. He died in Calcutta on 27 April 1794 at the age of 47 and is buried in South Park Street Cemetery.
Sir William Jones sometimes also went by the nom de plume Youns Uksfardi (یونس اکسفردی). This pen name can be seen on the inner front cover of his Persian Grammar published in 1771 (and in subsequent editions as well). The second half of the pen name, Uksfardi, Persian rendition of "from Oxford", can be directly attributed to the deep attachment William Jones had for the University of Oxford. The first name Youns is a rendition of Jones.
Read more about this topic: William Jones (philologist)
Famous quotes containing the word biography:
“The best part of a writer’s biography is not the record of his adventures but the story of his style.”
—Vladimir Nabokov (1899–1977)
“Had Dr. Johnson written his own life, in conformity with the opinion which he has given, that every man’s life may be best written by himself; had he employed in the preservation of his own history, that clearness of narration and elegance of language in which he has embalmed so many eminent persons, the world would probably have had the most perfect example of biography that was ever exhibited.”
—James Boswell (1740–95)
“A great biography should, like the close of a great drama, leave behind it a feeling of serenity. We collect into a small bunch the flowers, the few flowers, which brought sweetness into a life, and present it as an offering to an accomplished destiny. It is the dying refrain of a completed song, the final verse of a finished poem.”
—André Maurois (1885–1967)