Life in North Carolina
In 1764 Hooper moved temporarily to Wilmington, North Carolina, where he began to practice law and became the circuit court lawyer for Cape Fear. Hooper began to build a highly respected reputation in North Carolina among the wealthy farmers as well as fellow lawyers. Hooper increased his influence by representing the colonial government in several court cases. In 1767, Hooper married Anne Clark, the daughter of a wealthy early settler to the region and sheriff of New Hanover County. The two had a son, William, in 1768, followed by a daughter, Elizabeth, in 1770 and then another son, Thomas, in 1772. Hooper quickly was able to move up the ranks, first in 1769 when he was appointed as Deputy Attorney of the Salisbury District, and then in 1770 when he was appointed Deputy Attorney General of North Carolina.
Initially Hooper supported the British colonial government of North Carolina. As Deputy Attorney General in 1768 Hooper worked with Colonial Governor William Tryon to suppress a rebellious group known as the Regulators who participated in the War of the Regulation. The Regulators had been operating in North Carolina for some time, and in 1770 it was reported that the group dragged Hooper through the streets in Hillsborough during a riot. Hooper advised that Governor Tryon use as much force as was necessary to stamp out the rebels, and even accompanied the troops at the Battle of Alamance in 1771.
Read more about this topic: William Hooper
Famous quotes containing the words life, north and/or carolina:
“Perhaps life is just that ... a dream and a fear.”
—Joseph Conrad (1857–1924)
“The North will at least preserve your flesh for you; Northerners are pale for good and all. There’s very little difference between a dead Swede and a young man who’s had a bad night. But the Colonial is full of maggots the day after he gets off the boat.”
—Louis-Ferdinand Céline (1894–1961)
“Poetry presents indivisible wholes of human consciousness, modified and ordered by the stringent requirements of form. Prose, aiming at a definite and concrete goal, generally suppresses everything inessential to its purpose; poetry, existing only to exhibit itself as an aesthetic object, aims only at completeness and perfection of form.”
—Richard Harter Fogle, U.S. critic, educator. The Imagery of Keats and Shelley, ch. 1, University of North Carolina Press (1949)