Works
Harrison has principally been known for his Description of England, first published in 1577 as part of Holinshed's Chronicle. This work enumerated England's geographic, economic, social, religious and political features and represents an important source for historians interested in life in Elizabethan England. He gathered his facts from books, letters, maps, the notes of John Leland, and conversations with antiquaries and local historians like his friends John Stow and William Camden. He also used his own observation, experience and wit, and wrote in a conversational tone without pedantry, which has made the work a classic. The result is a compendium of Elizabethan England during the youth of William Shakespeare. "No work of the time contains so vivid and picturesque a sketch," was the assessment of The Cambridge History of English and American Literature.
Harrison also wrote a number of unpublished manuscripts, including The Great English Chronologie. This work traced fortunes of the Christian church in history, stretching from creation to his own time. In the Chronologie, Harrison revealed his sympathy with the Calvinist perspective of those seeking to reform the Church of England. At the same time, Harrison also indicated his distrust of the political intentions of England's Puritans and his ultimate loyalty to England's ecclesiastical authorities.
Read more about this topic: William Harrison (priest)
Famous quotes containing the word works:
“A creative writer must study carefully the works of his rivals, including the Almighty. He must possess the inborn capacity not only of recombining but of re-creating the given world. In order to do this adequately, avoiding duplication of labor, the artist should know the given world.”
—Vladimir Nabokov (1899–1977)
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)