William Gibson (November 13, 1914 – November 25, 2008) was an American playwright and novelist. He graduated from the City College of New York in 1938.
He was of Irish, French, German, Dutch and Russian ancestry. Gibson's most famous play is The Miracle Worker (1959), the story of Helen Keller's childhood education, which won him the Tony Award for Best Play after he adapted it from his original 1957 telefilm script. He adapted the work again for the 1962 film version, receiving an Academy Award nomination for Best Adapted Screenplay; the same actresses who previously had won Tony Awards for their performances in the stage version, Anne Bancroft and Patty Duke, received Academy Awards for the film version as well. Arthur Penn directed both the stage and film versions.
His Broadway debut had been with Two for the Seesaw in 1958, a critically acclaimed two-character play which starred Henry Fonda and, in her own Broadway debut, Anne Bancroft. It was directed by Arthur Penn. Gibson published a chronicle of the vicissitudes of rewriting for the sake of this production with a nonfiction book in the following year, The Seesaw Log. His other works include Dinny and the Witches (1948, revised 1961), in which a jazz musician incurs the wrath of three Shakespearean witches by blowing a riff which stops time; the book for the musical version of Clifford Odets' Golden Boy (1964), which earned him yet another Tony nomination; A Mass for the Dead (1968), an autobiographical family chronicle; A Cry of Players (1968), a speculative account of the life of young William Shakespeare (with Anne Bancroft starring for Gibson once again, this time as Shakespeare's wife, Anne Hathaway); Goodly Creatures (1980), about Puritan dissident Anne Hutchinson; and Monday After the Miracle (1982), a continuation of the Helen Keller story. His ill-received Golda (1977), a work about the late Israeli Prime Minister Golda Meir, became so popular in its revised version Golda's Balcony (2003) that it set a record as the longest-running one-woman play in Broadway history on January 2, 2005.
In 1973 Gibson published "A Season in Heaven", an account of his studies with Maharishi Mahesh Yogi in Punta Umbria and La Antilla, Spain.
Gibson married Margaret Brenman-Gibson, a psychotherapist and biographer of Odets, in 1940. In 1954, not long after the couple moved from Topeka, Kansas to Stockbridge, Massachusetts, where Margaret took a position as a psychoanalyst, Gibson published a novel, The Cobweb, set in a psychiatric hospital resembling the Menninger Clinic; in 1955, the novel was adapted as a movie by Metro-Goldwyn-Mayer. Brenman-Gibson died in 2004, leaving behind the couple's sons, Daniel and Thomas, as well as her husband.
Famous quotes containing the words william and/or gibson:
“Here lies the body of William Jones
Who all his life collected bones,
Till Death, that grim and boney spectre,
That universal bone collector,
Boned old Jones, so neat and tidy,
And here he lies, all bona fide.”
—Anonymous. “Epitaph on William Jones,” from Eleanor Broughton’s Varia (1925)
“It seemed a long way from 143rd Street. Shaking hands with the Queen of England was a long way from being forced to sit in the colored section of the bus going into downtown Wilmington, North Carolina. Dancing with the Duke of Devonshire was a long way from not being allowed to bowl in Jefferson City, Missouri, because the white customers complained about it.”
—Althea Gibson (b. 1927)