Death
Frawley made two final on-screen appearances before his death. An appearance on I've Got a Secret consisted of contestants guessing Frawley's "secret," which was that he was the first performer ever to sing "My Melancholy Baby", in 1912. He then performed the song one last time. His final on-camera performance was in October 1965, a brief cameo appearance in Lucille Ball's second television sitcom The Lucy Show with Frawley playing a horse trainer and Lucy commenting, "He reminds me of someone I used to know." (Vivian Vance, who by then had left The Lucy Show except for an occasional guest appearance, does not appear in that episode.)
On March 3, 1966, Frawley collapsed of a heart attack while walking down Hollywood Boulevard after seeing a movie, Inside Daisy Clover. He was dragged to the nearby Knickerbocker Hotel, where he had previously lived for many years, by his male nurse — a constant companion since his prostate cancer operation more than a year before. He was then rushed to the nearby Hollywood Receiving Hospital (now the Hollywood LAPD Precinct) on Wilcox Avenue, where he was pronounced dead.
Soon after Frawley's death, Desi Arnaz paid for a full-page advertisement in the newspaper Hollywood Reporter. It had a picture of Frawley, surrounded in black, the dates of his birth and death, and the caption, "Buenas Noches, Amigo!" ("Good Night, Friend!"). Arnaz, Frawley's My Three Sons co-star Fred MacMurray, and executive producer Don Fedderson were pallbearers at Frawley's funeral.
Lucille Ball issued the statement: "I've lost one of my dearest friends and show business has lost one of the greatest character actors of all time. Those of us who knew him and loved him will miss him."
Read more about this topic: William Frawley
Famous quotes containing the word death:
“How I envy you death;
what could death bring,
more black, more set with sparks
to slay, to affright,
than the memory of those first violets.”
—Hilda Doolittle (18861961)
“I was now at a university in New York, a professor of existential psychology with the not inconsiderable thesis that magic, dread, and the perception of death were the roots of motivation.”
—Norman Mailer (b. 1923)