Death
Frawley made two final on-screen appearances before his death. An appearance on I've Got a Secret consisted of contestants guessing Frawley's "secret," which was that he was the first performer ever to sing "My Melancholy Baby", in 1912. He then performed the song one last time. His final on-camera performance was in October 1965, a brief cameo appearance in Lucille Ball's second television sitcom The Lucy Show with Frawley playing a horse trainer and Lucy commenting, "He reminds me of someone I used to know." (Vivian Vance, who by then had left The Lucy Show except for an occasional guest appearance, does not appear in that episode.)
On March 3, 1966, Frawley collapsed of a heart attack while walking down Hollywood Boulevard after seeing a movie, Inside Daisy Clover. He was dragged to the nearby Knickerbocker Hotel, where he had previously lived for many years, by his male nurse — a constant companion since his prostate cancer operation more than a year before. He was then rushed to the nearby Hollywood Receiving Hospital (now the Hollywood LAPD Precinct) on Wilcox Avenue, where he was pronounced dead.
Soon after Frawley's death, Desi Arnaz paid for a full-page advertisement in the newspaper Hollywood Reporter. It had a picture of Frawley, surrounded in black, the dates of his birth and death, and the caption, "Buenas Noches, Amigo!" ("Good Night, Friend!"). Arnaz, Frawley's My Three Sons co-star Fred MacMurray, and executive producer Don Fedderson were pallbearers at Frawley's funeral.
Lucille Ball issued the statement: "I've lost one of my dearest friends and show business has lost one of the greatest character actors of all time. Those of us who knew him and loved him will miss him."
Read more about this topic: William Frawley
Famous quotes containing the word death:
“There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.”
—Elias Canetti (b. 1905)
“The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage as the cradle of life, as the womb of palingenesis.”
—Thomas Mann (1875–1955)
“To these, whom Death again did wed,
This grave’s the second Marriage-bed.”
—Richard Crashaw (1613?–1649)