Reception
Billings' work was very popular in its heyday, but his career was hampered by the primitive state of copyright law in America at the time. By the time the copyright laws had been strengthened, it was too late for Billings: the favorites among his tunes had already been widely reprinted in other people's hymnals, permanently copyright-free.
With changes in the public's musical taste, Billings' fortunes declined. His last tune-book, The Continental Harmony, was published as a project of his friends, in an effort to help support the revered but no longer popular composer. His temporary employment as a Boston street sweeper was probably a project of a similar nature.
Billings died in poverty at age 53, and for a considerable time after his death, his music was almost completely neglected in the American musical mainstream. However, his compositions remained popular for a time in the rural areas of New England, which resisted the newer trends in sacred music. Moreover, a few of Billings' songs were carried southward and westward through America, as a result of their appearance in shape note hymnals. They ultimately resided in the rural South, as part of the Sacred Harp singing tradition.
In the latter part of the twentieth century a Billings revival occurred, and a sumptuous complete scholarly edition of his works was published (see Books, below). Works by Billings are commonly sung by American choral groups today, particularly performers of early music. In addition, the recent spread of Sacred Harp music has acquainted many more people with Billings' music: several of his compositions are among the more frequently sung of the works in the Sacred Harp canon .
The Stoughton Musical Society, formed by former students of Billings, has carried on his tradition for over 200 years, and included twenty-seven Billings tunes in their 1878 music collection, The Stoughton Musical Society's Centennial Collection of Sacred Music. Among the favorite tunes by Billings sung by this choral society are: "Majesty" and "Chester".
The modern American composer William Schuman featured Billings' American Revolutionary War anthem "Chester", along with two other of Billings' hymns, in his composition New England Triptych.
William Billings was inducted into the Songwriters Hall of Fame in 1970.
Read more about this topic: William Billings
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“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)