Selected Works
- Stage
- The Fairy Fiddler, Opera (1922)
- Farewell Companions, Radio Opera (1955); libretto by H.A.L. Craig
- Juan, or The Libertine, Opera in 4 acts (1965–1971); libretto by the composer freely adapted from James Elroy Flecker's play Don Juan and other works
- Miss Julie, Opera in 2 acts (1972–1976); libretto by the composer after the 1888 play by August Strindberg
- Orchestral
- Five Preludes (1927)
- Aphrodite in Aulis, Eclogue after George Moore for small orchestra (1932)
- The Innumerable Dance, an English Overture (1933)
- Tragic Interlude for 2 horns, timpani and string orchestra (1936)
- Overture to a Masque (1940)
- Concerto grosso No. 1 in B♭ major (1942)
- Score for Country Town (1943)
- Suite of Scottish Dances for small orchestra (1946)
- Concerto grosso No. 2 in G major for string quartet and string orchestra (1948)
- Symphony No. 1 (1948–1949)
- Festival March (1951)
- The Magic Island, Symphonic Prelude (1952)
- Symphony No. 2 (1953)
- Symphony No. 3 (1955–1956)
- Elizabethan Dances (1956–1957)
- Fanfare for a Joyful Occasion for brass and percussion (1958)
- Symphony No. 4 (1959)
- Derby Day, Overture (1960)
- Concerto grosso No. 3 (1964)
- Sinfonietta for string orchestra (1970)
- Symphony No. 5 Hydriotaphia (1972–1973)
- Sinfonietta No. 2 for string orchestra (1976)
- Band
- The Moor of Venice, Overture for brass band (1956)
- Concertante
- Piano Concerto No. 1 (1930)
- Violin Concerto (1939)
- Pastoral Fantasia for viola and string orchestra (1939)
- Concerto for oboe, harp and strings (1944)
- Autumn Legend for cor anglais and string orchestra (1954)
- Lyra Angelica, Concerto for harp and string orchestra (1954)
- Piano Concerto No. 2 (1960)
- Concerto for flute and 8 wind instruments (1980)
- Chamber music
- Sonatina for violin and piano (1933)
- 2 Folk Tunes for cello or viola and piano (or harp) (1936)
- Novelette for string quartet (1938)
- Ballade for viola and piano (1939)
- Sonata Impromptu for violin and viola (1939)
- Rhapsody for violin, viola, cello and piano (1939)
- Divertimento for solo flute (1940)
- Sonatina for viola and piano (1941)
- Suite for oboe and harp (1944)
- Sonata for flute and piano (1948)
- Three Winter Poems for string quartet (1948)
- Conversations for violin, clarinet and piano (1950)
- Trio for flute, cello and piano (1951)
- String Quartet No. 1 in D minor (1953)
- Crepuscule for harp (1955)
- Sonata for clarinet and piano (1962)
- String Trio (1962)
- Moto Perpetuo for recorders (1970)
- Naiades, Fantasy Sonata for flute and harp (1971)
- String Quartet No. 2 Spring Waters (1975)
- Chaconne for Tom for descant recorder and piano (1982)
- String Quartet No. 3 (1984)
- Piano
- Hunter's Moon (1920s)
- Odd Moments, Suite (1920s)
- The Orchard (1920s)
- Haze of Noon (1926)
- Two Irish Pieces
- April Morn, 4 Petites Pièces (1924–1926)
- Fancy Free, 4 Pieces
- Contes Barbares, Hommage à Paul Gauguin (1930–1933)
- Night Thoughts (1940)
- Prelude and Fugue Formed on an Indian Scale (1945)
- Sonata alla Toccata (1946)
- By the Farmyard Gate, 4 Pieces
- From Ireland, 7 Traditional Tunes
- Wooden Walls, Suite
- Midsummer Night, Suite
- Green Hills
- Five Pieces, Suite
- Two Intermezzi
- Two Pieces
- Harvest Home, Suite
- The Tinker's Tune
- Down by the Riverside
- Nine Children's Pieces
- Fantasy-Waltzes (1956)
- Twelve Preludes (1958)
- Movements (1961)
- Twelve Diversions for the Five Fingers
- Vocal
- 3 Songs to Words by Trevor Blakemore for voice and piano (1940)
- Mirages, Song Cycle for baritone and piano (1970)
- 6 Nocturnes for baritone and piano (1973)
- Invocations, Song Cycle for soprano and piano (1977)
- A Leave Taking, Songs for tenor and piano (1978)
- Seascapes, Song Cycle for soprano, treble recorder and piano (1980)
Read more about this topic: William Alwyn
Famous quotes containing the words selected and/or works:
“She was so overcome by the splendor of his achievement that she took him into the closet and selected a choice apple and delivered it to him, along with an improving lecture upon the added value and flavor a treat took to itself when it came without sin through virtuous effort. And while she closed with a Scriptural flourish, he hooked a doughnut.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when youre weary or a stool
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Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (18061861)