Will Success Spoil Rock Hunter (play)
Will Success Spoil Rock Hunter? is an original stage comedy in three acts and four scenes by George Axelrod. After a try-out run at the Plymouth Theatre in Boston from 26 September 1955, it opened at the Belasco Theatre on Broadway on 13 October, starring Jayne Mansfield, Walter Matthau and Orson Bean. Directed by the author and produced by Jule Styne, it closed on 3 November 1956 after 444 performances.
The play is a Faustian comedy about a fan magazine writer who sells his soul to the Devil (in the guise of a literary agent) to become a successful screenwriter. The character of Rita Marlowe (played by Jayne Mansfield) is a vapid blonde sex symbol, an exaggerated lampoon of Marilyn Monroe (who had starred the previous year in the film version of Axelrod's play The Seven Year Itch). The surname Marlowe is an homage to 16th century playwright Christopher Marlowe, who wrote the 1604 drama The Tragical History of Doctor Faustus, the plot of which served as the inspiration for Axelrod's play.
The 1957 film Will Success Spoil Rock Hunter? utilised the title of the play and the character of Rita Marlowe (with Mansfield repeating her stage role) but little else. The story was changed to a satire on television advertising and Tony Randall starred as Rockwell P Hunter, a character who never appears in the play.
Read more about Will Success Spoil Rock Hunter (play): Production, Synopsis, Film Version, Script Variations, Original Broadway Cast, References
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“The success of great scholars and thinkers is commonly a courtier-like success, not kingly, not manly. They make shift to live merely by conformity, practically as their fathers did, and are in no sense the progenitors of a nobler race of men.”
—Henry David Thoreau (18171862)
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—Lewis Carroll [Charles Lutwidge Dodgson] (18321898)
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—Marianne E. Neifert (20th century)
“Verily, the Indian has but a feeble hold on his bow now; but the curiosity of the white man is insatiable, and from the first he has been eager to witness this forest accomplishment. That elastic piece of wood with its feathered dart, so sure to be unstrung by contact with civilization, will serve for the type, the coat-of-arms of the savage. Alas for the Hunter Race! the white man has driven off their game, and substituted a cent in its place.”
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