Early Career
Geer made his Broadway debut as Pistol in a 1928 production of Much Ado About Nothing, created the role of Mr. Mister in Marc Blitzstein's The Cradle Will Rock, played Candy in John Steinbeck's theatrical adaptation of his novella Of Mice and Men, and appeared in numerous plays and revues throughout the 1940s. From 1948 to 1951, he appeared in more than a dozen movies, including Winchester '73, Broken Arrow, and Bright Victory.
Geer became a member of the Communist Party of the United States in 1934. Geer was also influential in introducing Harry Hay to organizing in the Communist Party. In 1934, Geer and Hay gave support to a labor strike of the port of San Francisco; the 1934 West Coast waterfront strike lasted 83 days. Though marred by violence, it was an organizing triumph, one that became a model for future union strikes. Geer became a reader of the West Coast Communist newspaper, the People's World.
Geer became a dedicated activist, touring government work camps in the 1930s with folk singers like Burl Ives and Woody Guthrie (whom he introduced to the People's World and the Daily Worker; Guthrie would go on to write a column for the latter paper). In 1956, the duo released an album together on Folkways Records, titled Bound for Glory: Songs and Stories of Woody Guthrie. In his biography, fellow organizer and gay rights pioneer Harry Hay described Geer's activism and outlined their activities while organizing for the strike. Geer is credited with introducing Guthrie to Pete Seeger at the 'Grapes of Wrath' benefit Geer organized in 1940 for migrant farm workers.
Geer did summer stock at the Pine Brook Country Club located in the countryside of Nichols, Connecticut with the Group Theatre (New York) studying under Harold Clurman, Cheryl Crawford and Lee Strasberg. The artists took up residency at the lake in summer from 1931 until the early 1940s.
Read more about this topic: Will Geer
Famous quotes containing the words early and/or career:
“Our instructed vagrancy, which has hardly time to linger by the hedgerows, but runs away early to the tropics, and is at home with palms and banyanswhich is nourished on books of travel, and stretches the theatre of its imagination to the Zambesi.”
—George Eliot [Mary Ann (or Marian)
“The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.”
—Anna Quindlen (b. 1952)