Works
While today von Gloeden is mainly known for his nudes, in his lifetime he was also famous for his landscape photography that helped popularize tourism to Italy. He also documented earthquake damage in Reggio Calabria & Messina in 1908. This may also explain why the locals mostly approved of his work.
The majority of von Gloeden's pictures were made before World War I, in the period 1890-1910. During the war, he had to leave Italy. After returning in 1918, he photographed very little but continued to make new prints from his voluminous archives. In total, the Baron took over 3000 images (and possibly up to 7000), which after his death were left to one of his models, Pancrazio Buciunì (also spelled Bucini; his dates sometimes given as c.1864-c.1951 but probably should be 1879-1963), known as Il Moro (or U Moru) for his North African looks. Il Moro had been von Gloeden's lover since the age of fourteen, when he had first joined the household of the Baron. In 1933, some 1000 glass negatives from von Gloeden's collection (inherited by Buciuni) and 2000 prints were confiscated by Benito Mussolini's Fascist police under the allegation that they constituted pornography and were destroyed; another 1000 negatives were destroyed in 1936, although Buciuni was tried and cleared at a court in Messina (1939–41) of disseminating pornographic images. Most of the surviving pictures (negatives and prints) are now in the Fratelli Alinari photographic archive in Florence (which in 1999 bought 878 glass negatives & 956 vintage prints formerly belonging to Buciuni to add to its existing collection of 106 prints) and further prints (which fetch hundreds of pounds at auction) are in private collections or held by public institutions such as the Civico Archivo Fotographico in Milan.
Read more about this topic: Wilhelm Von Gloeden
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