Reception
Reviews of the series were mixed, yet some were decidedly positive. The New York Times critic John J. O'Connor called Wild Palms a "truly wild six-hour mini-series" resembling "nothing so much as an acid freak's fantasy, drenched in paranoia and more pop-culture allusions than a Dennis Miller monologue." He described it as "rich and insinuating as a good theatrical film, albeit harder to follow" and concluded, "You wanted something different? Here it is. And Wild Palms also happens to be terrific."
Ken Tucker in Entertainment Weekly stated that "in its length, scope, sweeping visual tableaux, and over-the-top passion, Wild Palms is more like an opera than a TV show." Comparing it to David Lynch's Twin Peaks, he decided that "unlike Peaks, which started out brilliantly lucid and then rambled into incoherence, Palms sustains its length and adds layers of complexity to its characters. It also has something crucial that Peaks did not: a sense of humor about itself."
Mary Harron of the British Independent suggested to "forget about the message, and about what the rhino means. Wild Palms should be watched like opera; for its gorgeous images, its emotional set-pieces and its high style."
Readers of the British trade weekly Broadcast were much more negative, calling it one of the worst television shows ever exported by the U.S. to the U.K. It placed fourth on their list, exceeded only by Baywatch, The Anna Nicole Show and The Dukes of Hazzard. TV Guide also blasted it, offering the interpretation that Oliver Stone was condemning television while covertly lauding cinematic films.
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Famous quotes containing the word reception:
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)