Production
Oliver Stone had originally planned to film Bruce Wagner's novel Force Majeure, but then decided to film Wagner's comic strip Wild Palms, published in Details magazine, instead: "It was so syncretic. It was such a fractured view of the world. Everything and anything could happen. Maybe your wife isn't your wife, maybe your kids aren't your kids. It really appealed to me." Wagner referred to his creation as "a sort of surreal diary a tone poem", set in an "Orwellian Los Angeles". ABC agreed to finance the project on a budget of $11 Million, but, remembering the eventual decline of David Lynch's Twin Peaks, insisted that the series had "a complete story, with a beginning, a middle, and an end".
Actor James Belushi compared the series (among others) to the British TV serial The Prisoner, and stated: "It's very tough, very challenging–a lot of viewers probably won't dig it." Dana Delany suggested to viewers to "let it wash over you, enjoy each scene, and by the end it'll make sense". Robert Loggia compared it to Elizabethan play The Duchess of Malfi and the ancient Greek tragedy Medea. ABC, bound to make sure that viewers won't lose attention, had a supplemental book, The Wild Palms Reader, published and offered a telephone hotline with the show's initial run. These measures notwithstanding, Stone considered the atmosphere to be more important than the storyline.
William Gibson later stated that "while the mini-series fell drastically short of the serial, it did produce one admirably peculiar literary artifact, The Wild Palms Reader" (to which he contributed). Both Stone and Gibson called Wagner the creative force behind the series.
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Famous quotes containing the word production:
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
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