Heraldry and Other Symbolic Use
The wild boar and a boar's head are common charges in heraldry. It represents what are often seen as the positive qualities of the boar, namely courage and fierceness in battle. The arms of the Campbell of Possil family (see Carter-Campbell of Possil) include the head, erect and erased of a wild boar, as does the crest Mackinnon clan. The arms of the Swinton Family also possess wild boar, as does the coat of arms of the Purcell family.
At least three Roman Legions are known to have had a boar as their emblems: Legio I Italica, Legio X Fretensis and Legio XX Valeria Victrix.
A boar is a long-standing symbol of the city of Milan, Italy. In Andrea Alciato's Emblemata (1584), beneath a woodcut of the first raising of Milan's city walls, a boar is seen lifted from the excavation. The foundation of Milan is credited to two Celtic peoples, the Bituriges and the Aedui, having as their emblems a ram and a boar respectively (Bituricis vervex, Heduis dat sucula signum.); therefore "The city's symbol is a wool-bearing boar, an animal of double form, here with sharp bristles, there with sleek wool," (Laniger huic signum sus est, animálque biforme, Acribus hinc setis, lanitio inde levi). Alciato credits the most saintly and learned Ambrose for his account.
Richard III (r. 1483–1485) used the white boar as his personal device and badge. It was also passed to his short-lived son, Edward.
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Famous quotes containing the word symbolic:
“Iconic clothing has been secularized.... A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.”
—Angela Carter (1940–1992)