Whole Tone Scale

In music, a whole tone scale is a scale in which each note is separated from its neighbors by the interval of a whole step. There are only two complementary whole tone scales, both six-note or hexatonic scales:

The whole tone scale has no leading tone and because all tones are the same distance apart, "no single tone stands out, the scale creates a blurred, indistinct effect". This effect is especially emphasized by the fact that triads built on such scale tones are augmented. Indeed, one can play all six tones of a whole tone scale simply with two augmented triads whose roots are a major second apart. Since they are symmetrical, whole tone scales do not give a strong impression of the tonic or tonality.

The composer Olivier Messiaen called the whole tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole tone scale interval cycle 2, or C2. Since there are only two possible whole tone scale positions (that is, the whole tone scale can be transposed only once), it is either C20 or C21. For this reason, the whole tone scale is also maximally even and may be considered a generated collection.

Due to this symmetry, the hexachord consisting of the whole-tone scale is not distinct under inversion or more than one transposition. Thus many composers have used one of the "almost whole-tone" hexachords, whose "individual structural differences can be seen to result only from a difference in the 'location,' or placement, of a semitone within the otherwise whole-tone series." Alexander Scriabin's mystic chord is a primary example, being a whole tone scale with one note raised a semitone, with this alteration allowing for a greater variety of resources through transposition.

Read more about Whole Tone Scale:  Classical Music, Jazz Harmony, Non-western Music

Famous quotes containing the words tone and/or scale:

    There was about all the Romans a heroic tone peculiar to ancient life. Their virtues were great and noble, and these virtues made them great and noble. They possessed a natural majesty that was not put on and taken off at pleasure, as was that of certain eastern monarchs when they put on or took off their garments of Tyrian dye. It is hoped that this is not wholly lost from the world, although the sense of earthly vanity inculcated by Christianity may have swallowed it up in humility.
    Herman Melville (1819–1891)

    That age will be rich indeed when those relics which we call Classics, and the still older and more than classic but even less known Scriptures of the nations, shall have still further accumulated, when the Vaticans shall be filled with Vedas and Zendavestas and Bibles, with Homers and Dantes and Shakespeares, and all the centuries to come shall have successively deposited their trophies in the forum of the world. By such a pile we may hope to scale heaven at last.
    Henry David Thoreau (1817–1862)