Louise Bourgeois
Louise Joséphine Bourgeois (25 December 1911 – 31 May 2010), was a renowned French-American artist and sculptor, best known for her contributions to both modern and contemporary art, and for her spider structures, titled Maman, which resulted in her being nicknamed the Spiderwoman. In 2011 one of her Spider works sold for $10.7 million, a new record price for the artist at auction, and the highest price paid for a work by a woman artist.
She is recognized today as the founder of confessional art.
In the late 1940s, after moving to New York City with her American husband, Robert Goldwater, she turned to sculpture. Though her works are abstract, they are suggestive of the human figure and express themes of betrayal, anxiety, and loneliness. Her work was wholly autobiographical, inspired by her childhood trauma of discovering that her English governess was also her father’s mistress.
Read more about Louise Bourgeois: Images
Famous quotes containing the words louise bourgeois, louise and/or bourgeois:
“... geometry became a symbol for human relations, except that it was better, because in geometry things never go bad. If certain things occur, if certain lines meet, an angle is born. You cannot fail. It’s not going to fail; it is eternal. I found in rules of mathematics a peace and a trust that I could not place in human beings. This sublimation was total and remained total. Thus, I’m able to avoid or manipulate or process pain.”
—Louise Bourgeois (b. 1911)
“I love meetings with suits. I live for meetings with suits. I love them because I know they had a really boring week and I walk in there with my orange velvet leggings and drop popcorn in my cleavage and then fish it out and eat it. I like that. I know I’m entertaining them and I know that they know. Obviously, the best meetings are with suits that are intelligent, because then things are operating on a whole other level.”
—Madonna [Madonna Louise Ciccione] (b. 1959)
“I want a revamped feminism. Putting the vamp back means the lady must be a tramp. My generation of the Sixties rebels wanted to smash the bourgeois codes that had become authoritarian totems of the Fifties.... Thirty years later, we’re still stuck with the [”nice” girl].”
—Camille Paglia (b. 1947)