Communism and Espionage
In 1924, Chambers read Vladimir Lenin's Soviets at Work and was deeply affected by it. He now saw the dysfunctional nature of his family, he would write, as "in miniature the whole crisis of the middle class"; a malaise from which Communism promised liberation. Chambers's biographer Sam Tanenhaus wrote that Lenin's authoritarianism was "precisely what attracts Chambers... He had at last found his church."; that is, he became a Marxist. In 1925, Chambers joined the Communist Party of the United States (CPUSA) (then known as the Workers Party of America) and wrote and edited for Communist publications, including The Daily Worker newspaper and The New Masses magazine. Chambers combined his literary talents with his devotion to Communism, writing four short stories in 1931 about proletarian hardship and revolt. One of these was Can You Make Out Their Voices?, described by critics as some of the best fiction from the American Communist movement. Hallie Flanagan co-adapted and produced it as a play entitled Can You Hear Their Voices? (see Writings by Chambers, below), staged across America and in many other countries. Chambers also worked as a translator during this period; among his works was the English version of Felix Salten's 1923 novel Bambi, A Life in the Woods.
Read more about this topic: Whittaker Chambers
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