Collection
The museum displays paintings, drawings, prints, sculptures, installation art, video, and photography. Every two years, the museum hosts the Whitney Biennial, an international art show which displays many lesser-known artists new to the American art scene. It has displayed works by many notable artists, including even Arnold Schwarzenegger.
The original 600 works in the permanent collection grew to about 1,300 by 1954 when the second Museum building opened, and to approximately 2,000 with the opening of the Breuer building in 1966. Today the permanent collection contains more than 18,000 works of art from many renowned artists. Artists represented include Josef Albers, Donald Baechler, Thomas Hart Benton, Lucile Blanch, Louise Bourgeois, Charles Burchfield, Alexander Calder, Greg Colson, Dan Christensen, Ronald Davis, Stuart Davis, Richard Diebenkorn, Arthur Dove, William Eggleston, Helen Frankenthaler, Arshile Gorky, Keith Haring, Grace Hartigan, Marsden Hartley, Robert Henri, Eva Hesse, Hans Hofmann, Edward Hopper, Jasper Johns, Franz Kline, Willem de Kooning, Lee Krasner, Ronnie Landfield, John Marin, Knox Martin, John McCracken, John McLaughlin, Robert Motherwell, Bruce Nauman, Louise Nevelson, Barnett Newman, Kenneth Noland, Jackson Pollock, Maurice Prendergast, Kenneth Price, Robert Rauschenberg, Man Ray, Mark Rothko, Morgan Russell, Albert Pinkham Ryder, Cindy Sherman, John Sloan, Paul Pfeiffer, Andy Warhol, and hundreds of others. A photography collection was begun in 1991.
Read more about this topic: Whitney Museum Of American Art
Famous quotes containing the word collection:
“The society would permit no books of fiction in its collection because the town fathers believed that fiction ‘worketh abomination and maketh a lie.’”
—For the State of Rhode Island, U.S. public relief program (1935-1943)
“We’ll never know the worth of water till the well go dry.”
—18th-century Scottish proverb, collected in James Kelly, Complete Collection of Scottish Proverbs, no. 351 (1721)
“Bolkenstein, a Minister, was speaking on the Dutch programme from London, and he said that they ought to make a collection of diaries and letters after the war. Of course, they all made a rush at my diary immediately. Just imagine how interesting it would be if I were to publish a romance of the “Secret Annexe.” The title alone would be enough to make people think it was a detective story.”
—Anne Frank (1929–1945)