History of The White Dress
The tradition of a white wedding is commonly credited to Queen Victoria's choice to wear a white wedding dress at her wedding to Prince Albert in 1840.
Royal brides before Victoria did not typically wear white, instead choosing "heavy brocaded gowns embroidered with white and silver thread," with red being a particularly popular color in Western Europe more generally. European and American brides had been wearing a plethora of colors, including blue, yellow, and practical colors like black, brown, or gray. As accounts of Victoria's wedding spread across the Atlantic and throughout Europe elites followed her lead. Because of the limitations of laundering techniques, white dresses provided an opportunity for conspicuous consumption. They were favored primarily as a way to show the world that the bride's family was so wealthy and so firmly part of the leisure class that the bride would choose an elaborate dress that could be ruined by any sort of work or spill. The color white was also the color girls were required to wear at the time when they were presented to the court.
Although women were required to wear veils in many churches through at least the 19th century, the resurgence of the wedding veil as a symbol of the bride, and its use even when not required by the bride's religion, coincided with societal emphasis on women being modest and well-behaved.
Etiquette books then began to turn the practice into a tradition and the white gown soon became a popular symbol of status that also carried "a connotation of innocence and sexual purity." The story put out about the wedding veil was that decorous brides were naturally too timid to show their faces in public until they were married.
By the end of the 19th century the white dress was the garment of choice for elite brides on both sides of the Atlantic. However, middle-class British and American brides did not adopt the trend fully until after World War II. With increased prosperity in the 20th century, the tradition also grew to include the practice of wearing the dress only once. As historian Vicky Howard writes, "f a bride wore white in the nineteenth century, it was acceptable and likely that she wore her gown again ..." Even Queen Victoria had her famous lace wedding dress re-styled for later use.
The portrayal of weddings in Hollywood movies, particularly immediately after World War II, helped crystallize and homogenize the white wedding into a normative form.
The white wedding style was given another significant boost in 1981, when three-quarter billion people—one out of six people around the globe—watched Charles, Prince of Wales marry Diana Spencer in her elaborate white taffeta dress with a 25-foot-long train. This wedding is generally considered the most influential white wedding of the 20th century.
Read more about this topic: White Wedding
Famous quotes containing the words history of the, history of, history, white and/or dress:
“The history of our era is the nauseating and repulsive history of the crucifixion of the procreative body for the glorification of the spirit.”
—D.H. (David Herbert)
“We are told that men protect us; that they are generous, even chivalric in their protection. Gentlemen, if your protectors were women, and they took all your property and your children, and paid you half as much for your work, though as well or better done than your own, would you think much of the chivalry which permitted you to sit in street-cars and picked up your pocket- handkerchief?”
—Mary B. Clay, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 3, by Susan B. Anthony and Ida Husted Harper (1902)
“What you dont understand is that it is possible to be an atheist, it is possible not to know if God exists or why He should, and yet to believe that man does not live in a state of nature but in history, and that history as we know it now began with Christ, it was founded by Him on the Gospels.”
—Boris Pasternak (18901960)
“Only the white, tremendous foam of the street has any importance,
The new white flowers that are beginning to shoot up about now.”
—John Ashbery (b. 1927)
“The emancipation of today displays itself mainly in cigarettes and shorts. There is even a reaction from the ideal of an intellectual and emancipated womanhood, for which the pioneers toiled and suffered, to be seen in painted lips and nails, and the return of trailing skirts and other absurdities of dress which betoken the slave-womans intelligent companionship.”
—Sylvia Pankhurst (18821960)