White Trash - White Popular Culture

White Popular Culture

Scholars in the late 19th and early 20th century explored the generations of families the authors considered disreputable, such as the The Jukes family and the The Kallikak Family (both were pseudonyms for real families).

Ernest Matthew Mickler's White Trash Cooking (1986) enjoyed an unanticipated rise to popularity. The cookbook, which is based on the cooking of rural white Southerners, features recipes with names such as Goldie's Yo Yo Pudding, Resurrection Cake, Vickies Stickies and Tutti's Fruited Porkettes. As Inness (2006) notes, "white trash authors used humor to express what was happening to them in a society that wished to forget about the poor, especially those who were white." She points out that under the humor was a serious lesson about living in poverty.

By the 1980s there appeared fiction written by Southern authors who themselves claimed a redneck or white trash origins, such as Harry Crews, Dorothy Allison, Larry Brown, and Tim McLaurin. Autobiographies sometimes mention white trash origins. Queer activist Amber L. Hollibaugh says, "I grew up a mixed-race, white-trash girl in a country that considered me dangerous, corrupt, fascinating, exotic. I responded to the challenge by becoming that alarming, hazardous, sexually disruptive woman."

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Famous quotes containing the words popular culture, white, popular and/or culture:

    Popular culture entered my life as Shirley Temple, who was exactly my age and wrote a letter in the newspapers telling how her mother fixed spinach for her, with lots of butter.... I was impressed by Shirley Temple as a little girl my age who had power: she could write a piece for the newspapers and have it printed in her own handwriting.
    Adrienne Rich (b. 1929)

    She’s me. She represents everything I feel, everything I want to be. I’m so locked into her that what she says is unimportant.
    Diane Valleta, White American suburbanite. As quoted in the New York Times, p. A13 (July 29, 1992)

    Party action should follow, not precede the creation of a dominant popular sentiment.
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    The time will come when the evil forms we have known can no more be organized. Man’s culture can spare nothing, wants all material. He is to convert all impediments into instruments, all enemies into power.
    Ralph Waldo Emerson (1803–1882)