Reception
Critical reaction to the film was positive, and today it is considered a classic. Bosley Crowther of The New York Times called it "the acme of the gangster-prison film" and praised its "thermal intensity". Tim Dirks on the website Filmsite.org writes that the film may have also inspired many other successful films:
- "This classic film anticipated the heist films of the early 50s (for example John Huston's 1950 The Asphalt Jungle and Stanley Kubrick's 1956 The Killing), accentuated the semi-documentary style of films of the period (the 1948 The Naked City), and contained film-noirish elements, including the shady black-and-white cinematography, the femme fatale character, and the twisted psyche of the criminal gangster."
White Heat was listed in Time magazine's top 100 films of all time. Based upon both contemporary and more recent film reviews, the film has a 100% "fresh" rating on film review aggregate website Rotten Tomatoes.
In June 2008, the American Film Institute released its "Ten Top Ten" list – the best ten films in ten "classic" American film genres – after polling over 1,500 people from the creative community. White Heat was acknowledged as the fourth best in the gangster film genre. Also, the quote; "Made it, Ma! Top of the world!" was number 18 on the American Film Institute's list of the greatest movie quotes.
Read more about this topic: White Heat
Famous quotes containing the word reception:
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)