Recording and Production
The band rehearsed for one week and began recording at Easley-McCain Recording, in Memphis, Tennessee in February 2001. Meg White was initially hesitant to commence immediate recording, as she thought the songs were "too new." The album was recorded in less than four days, to try to keep it "as unorganized as possible," according to Jack. The record's quick production was intentional in order to get "a real tense" feeling, as well as capture the band's energy. The record was "rushed" and a final day was saved for mixing and mastering the record; this was the first White Stripes album to be mastered in the studio. It was the first time for the band recording in a 24-track recording studio, and Jack White asked recording engineer Stuart Sikes more than once "not to make it sound too good."
Read more about this topic: White Blood Cells (album)
Famous quotes containing the words recording and/or production:
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)