In Music
Whistler and particularly this painting had a profound effect on Claude Debussy, a contemporary French composer. In 1894, he wrote to violinist Eugène Ysaÿe describing his Nocturnes as "an experiment in the different combinations that can be obtained from one color - what a study in grey would be in painting." Although there is speculation on what he meant by musical 'color', be it orchestration or harmonic, one can observe 'shades' of a particular sound quality in his music.
Read more about this topic: Whistler's Mother
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