Production
Halle Berry, Whitney Houston, Robin Givens, Pam Grier, Vanessa L. Williams and Janet Jackson were all considered for the role of Tina Turner. It was Whitney Houston who was actually offered/received the role, but had to decline due to imminent maternity. Jenifer Lewis, who plays Tina's mother in this film, originally auditioned to play Tina Turner. Lewis is only one year older than Bassett.
Laurence Fishburne was offered the role of Ike Turner five times and turned it down each time. When he found out that Angela Bassett was cast as Tina Turner, he changed his mind.
All the Ike and Tina Turner songs used in the film were newly re-recorded versions featuring Tina Turner covering her own songs. On "Proud Mary", Laurence Fishburne sings Ike Turner's parts. For Tina Turner's solo recordings the original masters were used, including the Phil Spector-produced "River Deep - Mountain High".
In his autobiography Taking Back My Name, Ike Turner claims the movie damaged his reputation immensely and attacks many of the scenes for being either not strictly accurate or completely fabricated.
Bassett was injured while filming the first spousal abuse sequence. She fell off the back of a high-rise sofa, put her hands out to reduce the impact and suffered a hairline fracture of her right hand. She only tried the stunt fall once, and footage leading up to the mishap appears in the film.
Actress Vanessa Bell Calloway, who plays the fictional character of Jackie, was wary of chanting the Buddhist words because of her strong Christian faith. Director Brian Gibson allowed her to form the words with her lips silently during filming and added the words with a voice double in post-production. She also appeared alongside Tina in the music video of "What's Love Got to Do with It".
Read more about this topic: What's Love Got To Do With It (film)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The heart of man ever finds a constant succession of passions, so that the destroying and pulling down of one proves generally to be nothing else but the production and the setting up of another.”
—François, Duc De La Rochefoucauld (1613–1680)
“To expect to increase prices and then to maintain them at a higher level by means of a plan which must of necessity increase production while decreasing consumption is to fly in the face of an economic law as well established as any law of nature.”
—Calvin Coolidge (1872–1933)