In Popular Culture
In the 2002 science fiction film 28 Days Later, the protagonist awakes from a coma to find London deserted, and walks over the Westminster Bridge whilst looking for people.
Westminster Bridge is the start and finish point for the Bridges Handicap Race, a traditional London running race.
William Wordsworth wrote the sonnet Composed upon Westminster Bridge, September 3, 1802.
In the British science fiction TV series Doctor Who, Westminster Bridge has been used for various location shots. It was used originally in 1964 in the serial The Dalek Invasion of Earth which depicts the structure as desolate and deserted. Several Daleks are seen gliding over the bridge and the adjoining Albert Embankment. The location was then re-used by the production team when the series was revived in 2005 where the ninth doctor and Rose Tyler run across the bridge in the episode Rose. It is also the name of a track in the Doctor Who Soundtrack album.
The bridge plays a prominent role in the Monty Python's Flying Circus sketch "Nationwide" ("Hamlet", Episode 43). Reporter John Dull (Graham Chapman) is sent to the bridge to find out if it is possible to sit in a chair and rest your legs whenever you want. A policeman (Michael Palin) confiscates his chair, saying it is stolen from a woman (Terry Jones in drag) who is standing across the street. Instead of giving the chair back to the woman, the policeman knocks her down and takes an identical chair from her and sits beside the reporter. He then takes different items from people walking or sitting nearby, finally breaking into a store (the crash of glass breaking is heard followed by the sound of an alarm) to get beer.
In the 2000 film 102 Dalmatians, Cruella de Vil goes mad after she hears the sound of Big Ben, and while on Westminster Bridge she sees everything white with black spots (the pattern of Dalmatians).
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Famous quotes containing the words popular culture, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
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“Why is it so difficult to see the lesbian—even when she is there, quite plainly, in front of us? In part because she has been “ghosted”Mor made to seem invisible—by culture itself.... Once the lesbian has been defined as ghostly—the better to drain her of any sensual or moral authority—she can then be exorcised.”
—Terry Castle, U.S. lesbian author. The Apparitional Lesbian, ch. 1 (1993)