Western Music (North America) - Origins

Origins

Western music was directly influenced by the folk music traditions of England, Wales, Scotland, and Ireland, and many cowboy songs, sung around campfire in the nineteenth century, like 'Streets of Laredo', can be traced back to European folk songs.

Reflecting the realities of the range and ranch houses where the music originated, the early cowboy bands were string bands supplemented occasionally with the harmonica. The harmonica, invented in the early 19th century in central Europe, arrived in North America shortly before the American Civil War, as the United States was just beginning to expand westward; its small size and portability made it a favorite among the American public and the westward pioneers.

Otto Gary, an early cowboy band leader, stated authentic Western music had only three rhythms, all coming from the gaits of the cowpony—walk, trot, and lope. Gray also noted the uniqueness of this spontaneous American song product, and the freedom of expression of the singers.

In 1908, N. Howard "Jack" Thorp published the first book of Western music, titled Songs of the Cowboys. Containing only lyrics and no musical notation, the book was very popular west of the Mississippi. Most of these cowboy songs are of unknown authorship, but among the best known is "Little Joe, the Wrangler," written by Thorp himself.

In 1910, John Lomax, in his book Cowboy Songs and Other Frontier Ballads, first gained national attention for Western music. His book contained many of the same songs as Thorp's book (he collected most of them before Thorp's was published). However, Lomax's compilation included many musical scores. Lomax published a second collection in 1919 titled Songs of the Cattle Trail and Cow Camp.

With the advent of radio and recording devices the music found an audience previously ignored by music schools and Tin Pan Alley. Many Westerners preferred familiar music about themselves and their environment.

The first successful cowboy band to tour the East was Otto Gray's Oklahoma Cowboys put together by William McGinty, an Oklahoma pioneer and former Rough Rider. The band appeared on radio and toured the vaudeville circuit from 1924 through 1936. They recorded few songs however, so are overlooked by many scholars of Western Music.

Most people are under the impression Western music began with the cowboy, but this is not the case. To cite Doug Green's recent book, "Singing in the Saddle" the first "western" song was published back in 1844. The title was "Blue Juniata". The song was about a young Indian maid waiting for her brave along the banks of the Juniata River in Pennsylvania (at that time, anything west of the Appalachian Mountains was considered "out West".) The song was recorded and sung by the Sons of the Pioneers over a hundred years later and is still being sung today. Subsequent "western" songs down through the years have dealt with many aspects of the West such as the mountain men, the '49ers, the immigrants, the outlaws, the lawmen, the cowboy, and, of course, the beauty and grandeur of the West. Western music is not limited to the American Cowboy.

Read more about this topic:  Western Music (North America)

Famous quotes containing the word origins:

    The settlement of America had its origins in the unsettlement of Europe. America came into existence when the European was already so distant from the ancient ideas and ways of his birthplace that the whole span of the Atlantic did not widen the gulf.
    Lewis Mumford (1895–1990)

    Lucretius
    Sings his great theory of natural origins and of wise conduct; Plato
    smiling carves dreams, bright cells
    Of incorruptible wax to hive the Greek honey.
    Robinson Jeffers (1887–1962)

    Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.
    W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)