Western (genre) - Television

Television

Television Westerns are a sub-genre of the Western. When television became popular in the late 1940s and 1950s, TV Westerns quickly became an audience favorite. Beginning with re-broadcasts of existing films soon a number of movie cowboys had their own TV shows. As the Western became more in demand new stories and stars were introduced. A number of long-running TV Westerns became classics in their own right. Notable TV Westerns include Bonanza, Gunsmoke, The Rifleman, Have Gun – Will Travel, Maverick, Rawhide, The Virginian, The Big Valley, and Wagon Train.

The peak year for television Westerns was 1959, with 26 such shows airing during prime-time. Increasing costs of American television production led to most action half hour series vanishing in the early 1960s to be replaced by hour long television shows, increasingly in color. Traditional westerns died out in the late 1960s as a result of network changes in demographic targeting along with pressure from parental television groups. Future entries in the genre would incorporate elements from other genera such as crime drama and mystery whodunit elements. Western shows from the 1970s included McCloud, Hec Ramsey, Little House on the Prairie, and Kung Fu. In the 1990s and 2000s, hour-long Westerns and slickly packaged made-for-TV movie Westerns were introduced. Examples include Lonesome Dove and Dr. Quinn, Medicine Woman. As well, new elements were once again added to the Western formula, such as the Western-science fiction show Firefly, created by Joss Whedon in 2002. Deadwood was a critically acclaimed Western series which aired on HBO from 2004 through 2006.

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Famous quotes containing the word television:

    Anyone afraid of what he thinks television does to the world is probably just afraid of the world.
    Clive James (b. 1939)

    Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving one’s ordinary surroundings, soap operas are in fact spatially inseparable from the rest of one’s life. In homes where television is on most of the time, they are also temporally integrated into one’s “real” life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.
    Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)

    So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.
    Raymond Chandler (1888–1959)