West Coast Jazz - Reception

Reception

Tanner, Gerow, and Megill are largely dismissive of the term "West Coast jazz". As it often refers to Gerry Mulligan and his associates in California, "West Coast" merely becomes synonymous with "cool jazz", although Lester Young, Claude Thornhill, and Miles Davis were based in New York. At the same time, many musicians associated with West Coast jazz "were much more involved in a hotter approach to jazz. Communication being what it is, it is hardly likely that any style of jazz was fostered exclusively in one area."

Some jazz critics, such as French critic Hugues PanassiƩ, looked down upon West Coast jazz because most of its musicians were white. However, there was a sizable number of African American musicians who played in the style, including Curtis Counce, Chico Hamilton, Buddy Collette and Hampton Hawes.

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    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
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