History
It was founded in 1915 by the Sisters of Loretto as Loretto College, and as a Catholic women's colleges. The first male students were admitted in 1962. The Sisters of Loretto transferred the university to a Board of Directors in 1967.
Webster participated in early racial integration battles in St. Louis. During the early 1940s, many local priests, especially Jesuits, challenged the segregationist policies at the city's Catholic colleges and parochial schools. The St. Louis chapter of the Midwest Clergy Conference on Negro Welfare arranged in 1943 for Webster College to admit a black female student, Mary Aloyse Foster, which would make it the city's first Catholic college to integrate. However, in 1943 Archbishop John J. Glennon blocked that student's enrollment by speaking privately with the Kentucky-based superior of the Sisters of Loretto. The Pittsburgh Courier, an African-American newspaper with national circulation, discovered Glennon's actions and ran a front-page feature on the Webster incident in February 1944. The negative publicity toward Glennon's segregationist policies led Saint Louis University to begin admitting African American students in summer 1944. In fall 1945, Webster College responded to pressure by admitting Irene Thomas, a Catholic African-American woman from St. Louis, as a music major.
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Famous quotes containing the word history:
“To care for the quarrels of the past, to identify oneself passionately with a cause that became, politically speaking, a losing cause with the birth of the modern world, is to experience a kind of straining against reality, a rebellious nonconformity that, again, is rare in America, where children are instructed in the virtues of the system they live under, as though history had achieved a happy ending in American civics.”
—Mary McCarthy (1912–1989)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“It’s a very delicate surgical operation—to cut out the heart without killing the patient. The history of our country, however, is a very tough old patient, and we’ll do the best we can.”
—Dudley Nichols, U.S. screenwriter. Jean Renoir. Sorel (Philip Merivale)