Preserved Watt Engines
The oldest surviving Watt engine is Old Bess of 1777, now in the Science Museum, London. The oldest working engine in the world is the Smethwick Engine, brought into service in May 1779 and now at Thinktank in Birmingham (formerly at the now defunct Museum of Science and Industry, Birmingham). The oldest still in its original engine house and still capable of doing the job for which it was installed is the 1812 Boulton and Watt engine at the Crofton Pumping Station. This was used to pump water for the Kennet and Avon Canal; on certain weekends throughout the year the modern pumps are switched off and the two steam engines at Crofton still perform this function. The oldest extant rotative steam engine (from 1785, the third rotative engine ever built) is located in the Powerhouse Museum in Sydney, Australia. A Boulton-Watt engine of 1788 may be found in the Science Museum, London., while an 1817 blowing engine, formerly used at the Netherton ironworks of M W Grazebrook now decorates Dartmouth Circus, a traffic island at the start of the A38(M) motorway in Birmingham.
The Henry Ford Museum in Dearborn, Michigan houses a Watt rotative engine manufactured in 1788 by Charles Summerfield. This is a full-scale working Boulton-Watt engine. The American industrialist Henry Ford moved the engine to Dearborn around 1930.
Read more about this topic: Watt Steam Engine
Famous quotes containing the words preserved, watt and/or engines:
“Semantically, taste is rich and confusing, its etymology as odd and interesting as that of “style.” But while style—deriving from the stylus or pointed rod which Roman scribes used to make marks on wax tablets—suggests activity, taste is more passive.... Etymologically, the word we use derives from the Old French, meaning touch or feel, a sense that is preserved in the current Italian word for a keyboard, tastiera.”
—Stephen Bayley, British historian, art critic. “Taste: The Story of an Idea,” Taste: The Secret Meaning of Things, Random House (1991)
“Herein is the explanation of the analogies, which exist in all the arts. They are the re-appearance of one mind, working in many materials to many temporary ends. Raphael paints wisdom, Handel sings it, Phidias carves it, Shakspeare writes it, Wren builds it, Columbus sails it, Luther preaches it, Washington arms it, Watt mechanizes it. Painting was called “silent poetry,” and poetry “speaking painting.” The laws of each art are convertible into the laws of every other.”
—Ralph Waldo Emerson (1803–1882)
“America is like one of those old-fashioned six-cylinder truck engines that can be missing two sparkplugs and have a broken flywheel and have a crankshaft that’s 5000 millimeters off fitting properly, and two bad ball-bearings, and still runs. We’re in that kind of situation. We can have substantial parts of the population committing suicide, and still run and look fairly good.”
—Thomas McGuane (b. 1939)