Gallery
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Water Lilies, 1920–1926, Musée de l'Orangerie
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Water-Lily Pond, c.1915–1926, Chichu Art Museum, Naoshima, Kagawa, Japan
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Wisteria, 1925, Gemeentemuseum Den Haag
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Water Lilies, 1922, Toledo Museum of Art
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Le Bassin Aux Nymphéas, 1919
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Water Lilies, 1919, Metropolitan Museum of Art, New York City
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The Water Lily Pond, c. 1917-19, Albertina
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Water Lilies, 1917–1919, Honolulu Museum of Art
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Water-Lily Pond and Weeping Willow, (1916–19)
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Nymphéas reflets de saule (1916–19), Musée Marmottan Monet
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Blue Water Lilies, 1916-1919, Musée d'Orsay
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Sea-Roses (Yellow Nirwana), after 1916, National Gallery, London
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Nymphéas, 1916, Musée Marmottan Monet
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Claude Monet, Water Lilies, 1916, National Museum of Western Art, Tokyo
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White and yellow Water Lilies, (1915–1917), Kunstmuseum Winterthur, Winterthur, Switzerland
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Nymphéas, 1915, Musée Marmottan Monet
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Nymphéas (Waterlilies), 1914-1917, National Gallery of Australia
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Water-Lilies, 1914–1917, Toledo Museum of Art
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Nymphéas, 1915, Neue Pinakothek, Munich
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Water Lilies (TFAM), 1908, Tokyo Fuji Art Museum
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Water Lily Pond, 1908
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Water-Lilies, 1908, Dallas Museum of Arts
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Water Lilies, 1907 The Museum of Fine Arts, Houston
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Water Lilies, 1907, Bridgestone Museum of Art, Tokyo
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Pond with Water Lilies, 1907, Israel Museum
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Water Lilies, 1906, Art Institute of Chicago
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Le Bassin des Nympheas, 1904, Denver Art Museum
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Water Lilies, 1904
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Water Lilies, 1903, Dayton Art Institute, Dayton, Ohio
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Closeup of Water lily pond, one of 18 views of the pond, 1899, Boston Museum of Fine Arts
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Water lilies, 1897–1899, Galleria Nazionale d'Arte Moderna
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Claude Monet, Nympheas, 1897–1898, Los Angeles County Museum of Art
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Famous quotes containing the word gallery:
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.”
—Thomas Henry Huxley (182595)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)