Design
The Wasp class is based on the preceding Tarawa-class design. The design was modified to allow for the operation of AV-8B Harrier II aircraft and Landing Craft Air Cushion (LCAC) hovercraft, making the Wasp class the first ships specifically designed to operate these. The main physical changes between the two designs are the lower placement of the ship's bridge aboard the Wasps, the relocation of the command and control facilities to inside the hull, the removal of the 5-inch Mk 45 naval guns and their sponsons on the forward edge of the flight deck, and a lengthening of 24 feet (7.3 m) to carry the LCACs.
Each Wasp class ship has a displacement of 41,150 metric tons (40,500 long tons; 45,360 short tons) at full load, is 253.2 metres (831 ft) long, has a beam of 31.8 metres (104 ft), and a draft of 8.1 metres (27 ft). For propulsion, most of the ships are fitted with two steam boilers connected to geared turbines, which deliver 70,000 shaft horsepower (33,849 kW) to the two propeller shafts. This allows the LHDs to reach speeds of 22 knots (41 km/h; 25 mph), with a range of 9,500 nautical miles (17,600 km; 10,900 mi) at 18 knots (33 km/h; 21 mph). The last ship of the class, USS Makin Island, was instead fitted with two General Electric LM2500 geared gas turbines. The ship's company consists of 1,208 personnel. The ships are the largest amphibious warfare vessels in the world.
Read more about this topic: Wasp-class Amphibious Assault Ship
Famous quotes containing the word design:
“With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.”
—Henry David Thoreau (18171862)
“We find that Good and Evil happen alike to all Men on this Side of the Grave; and as the principle Design of Tragedy is to raise Commiseration and Terror in the Minds of the Audience, we shall defeat this great End, if we always make Virtue and Innocence happy and successful.”
—Joseph Addison (16721719)
“Joe ... you remember I said you wouldnt be cheated?... Nobody is really. Eventually all things work out. Theres a design in everything.”
—Sidney Buchman (19021975)