Career
Baxter originally worked as an insurance agent, sales manager and commercial traveller. Baxter began his movie career as an extra in 1914 in a stock company and quickly rose to become a star. He had his first starring role in 1921, in a film called Sheltered Daughters, before starring in 48 features during the 1920s. His most notable silent roles were in The Great Gatsby (1926), Aloma of the South Seas (1926) as an island love interest opposite the famous dancer Gilda Gray and a handsome but alcoholic doctor in West of Zanzibar with Lon Chaney.
Baxter's most famous starring role was as the Cisco Kid in In Old Arizona (1929), the first all-talking western, for which he won the second Academy Award for Best Actor. He also starred in 42nd Street (1933), Grand Canary (1934), Broadway Bill (1934) and Kidnapped (1938).
By 1936, Baxter was the highest paid actor in Hollywood, but by 1943 he had slipped to B movie roles, and he starred in a series of "Crime Doctor" films for Columbia Pictures. Baxter made over 100 films between 1914 and 1950.
Read more about this topic: Warner Baxter
Famous quotes containing the word career:
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)
“What exacerbates the strain in the working class is the absence of money to pay for services they need, economic insecurity, poor daycare, and lack of dignity and boredom in each partner’s job. What exacerbates it in upper-middle class is the instability of paid help and the enormous demands of the career system in which both partners become willing believers. But the tug between traditional and egalitarian models of marriage runs from top to bottom of the class ladder.”
—Arlie Hochschild (20th century)
“The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.”
—Jessie Bernard (20th century)