Sound
Most of the music within Warcraft III was composed by Tracy W. Bush, Derek Duke, Jason Hayes, and Glenn Stafford. The Limited Edition of Reign of Chaos came with much of the orchestral music on a separate soundtrack. Each of the four playable races has different music: monastic music for the humans; ambient and Native American-sounding music for the Night Elves; warlike African-sounding music for the Orcs; and fast, haunting music for the Undead. New musical themes were added in the expansion.
One of the signatures of Blizzard games are the unit quotes. If a single unit is clicked four or more times in a row, the unit's voice samples become increasingly comical. The unit may start getting angry at the player, or make allusions and references to other games, movies, or jokes. Movies quoted include Monty Python, Blade Runner, Star Wars Episodes IV & V: A New Hope & The Empire Strikes Back, Army of Darkness, and Toy Story. Games like Mortal Kombat, Warhammer 40,000, Blizzard's own StarCraft, and Banjo-Kazooie are paid homage, in addition to shows such as Saturday Night Live, The Twilight Zone, and Beavis and Butthead and Austin Powers: Goldmember.
Read more about this topic: Warcraft III: Reign Of Chaos
Famous quotes containing the word sound:
“The Young Man’s Best Companion, The Farrier’s Sure Guide, The Veterinary Surgeon, Paradise Lost, The Pilgrim’s Progress, Robinson Crusoe, Ash’s Dictionary, and Walkingame’s Arithmetic, constituted his library; and though a limited series, it was one from which he had acquired more sound information by diligent perusal than many a man of opportunities had done from a furlong of laden shelves.”
—Thomas Hardy (1840–1928)
“No man ever stood lower in my estimation for having a patch in his clothes; yet I am sure that there is greater anxiety, commonly, to have fashionable, or at least clean and unpatched clothes, than to have a sound conscience.”
—Henry David Thoreau (1817–1862)
“In spite of all her faults her name was so holy to him that it had never once passed his lips since her death, except in low whispers to himself,—low whispers made in the perfect, double-guarded seclusion of his own chamber. “Cora, Cora,” he had murmured, so that the sense of the sound and not the sound itself had come to him from his own lips.”
—Anthony Trollope (1815–1882)