Life
In 1878 he was elected Elrington and Bosworth Professor of Anglo-Saxon at Cambridge. He completed Mitchell Kemble's edition of the Anglo-Saxon Gospels, and did much other work both in Anglo-Saxon and in Gothic, but is perhaps most generally known for his labours in Middle English, and for his standard editions of Chaucer and Langland's Piers Plowman.
As he himself generously declared, he was at first mainly guided in the study of Chaucer by Henry Bradshaw, with whom he was to have participated in the edition of Chaucer planned in 1870 by the University of Oxford, having declined in Bradshaw's favour an offer of the editorship made to himself. Bradshaw's perseverance was not equal to his genius, and the scheme came to nothing for the time, but was eventually resumed and carried into effect by Skeat in an edition of six volumes (1894), a supplementary volume of Chaucerian Pieces being published in 1897. He also issued an edition of Chaucer in one volume for general readers, and a separate edition of his Treatise on the Astrolabe, with a learned commentary.
His edition of Piers Plowman in three parallel texts was published in 1886; and, besides the Treatise on the Astrolabe, he edited numerous books for the Early English Text Society, including the Bruce of John Barbour, Pierce the Ploughman's Crede, the romances of Havelok the Dane and William of Palerne, and Ælfric's Lives of the Saints (4 vols.). For the Scottish Text Society he edited The Kingis Quair, usually ascribed to James I of Scotland, and he published an edition (2 vols., 1871) of Chatterton, with an investigation of the sources of the obsolete words employed by him.
He is buried at the Parish of the Ascension Burial Ground in Cambridge; his wife, Bertha Clara, was born 6 February 1840, died 15 July 1924 is buried with him, as is a daughter Bertha Marion, born 30 December 1861, died 2 December 1948.
Read more about this topic: Walter William Skeat
Famous quotes containing the word life:
“In the country, without any interference from the law, the agricultural life favors the permanence of families.”
—Ralph Waldo Emerson (1803–1882)
“For some men the power to destroy life becomes the equivalent to the female power to create life.”
—Myriam Miedzian, U.S. author. Boys Will Be Boys, ch. 4 (1991)
“Each work of art excludes the world, concentrates attention on itself. For the time it is the only thing worth doing—to do just that; be it a sonnet, a statue, a landscape, an outline head of Caesar, or an oration. Presently we return to the sight of another that globes itself into a whole as did the first, for example, a beautiful garden; and nothing seems worth doing in life but laying out a garden.”
—Ralph Waldo Emerson (1803–1882)