Walter Tevis - Works

Works

Novels
  • The Hustler, Harper & Row, 1959
  • The Man Who Fell to Earth, Gold Medal Books, 1963
  • Mockingbird, 1980
  • The Steps of the Sun, 1983
  • The Queen's Gambit, 1983
  • The Color of Money, 1984
Collections
  • Far from Home, Doubleday, 1981
Short stories

Some of these stories were reprinted in 1981 in Far from Home:

  • "The Best in the Country" Esquire, November, 1954.
  • "The Big Hustle" Collier's, August 5, 1955.
  • "Misleading Lady" The American Magazine, October, 1955.
  • "Mother of the Artist" Everywoman's, 1955.
  • "The Man from Chicago" Bluebook, January, 1956.
  • "The Stubbornest Man" Saturday Evening Post, January 19, 1957.
  • "The Hustler" (original title, "The Actors") Playboy
  • "Operation Gold Brick" If, June, 1957. (alternate title: "The Goldbrick")
  • "The Ifth of Oofth", Galaxy, April, 1957
  • "The Big Bounce" Galaxy, February, 1958.
  • "Sucker's Game" Redbook, August, 1958.
  • "First Love" Redbook, August, 1958.
  • "Far From Home" Fantasy & Science Fiction, December, 1958.
  • "Alien Love" (author's title: "The Man from Budapest") Cosmopolitan, January, 1959.
  • "A Short Ride in the Dark" Toronto Star Weekly Magazine, April 4, 1959.
  • "Gentle Is the Gunman" Saturday Evening Post, August 13, 1960.
  • "The Other End of the Line" Fantasy & Science Fiction, November, 1961.
  • "The Machine That Hustled Pool" Nugget, February, 1961.
  • "The Scholar's Disciple" College English, October, 1969.
  • "The King Is Dead" Playboy, September, 1973.
  • "Rent Control" Omni, October, 1979.
  • "The Apotheosis of Myra" Playboy, July, 1980.
  • "Echo" Magazine of Fantasy & Science Fiction, October, 1980.
  • "Out of Luck" Omni, November, 1980.
  • "Sitting in Limbo" Far from Home, 1981.
  • "Daddy" Far from Home, 1981.
  • "A Visit from Mother" Far from Home, 1981.

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    “Only the more uncompromising of the mystics still seek for knowledge in a silent land of absolute intuition, where the intellect finally lays down its conceptual tools, and rests from its pragmatic labors, while its works do not follow it, but are simply forgotten, and are as if they never had been.”
    —Josiah Royce (1855–1916)