Walter Tevis - Works

Works

Novels
  • The Hustler, Harper & Row, 1959
  • The Man Who Fell to Earth, Gold Medal Books, 1963
  • Mockingbird, 1980
  • The Steps of the Sun, 1983
  • The Queen's Gambit, 1983
  • The Color of Money, 1984
Collections
  • Far from Home, Doubleday, 1981
Short stories

Some of these stories were reprinted in 1981 in Far from Home:

  • "The Best in the Country" Esquire, November, 1954.
  • "The Big Hustle" Collier's, August 5, 1955.
  • "Misleading Lady" The American Magazine, October, 1955.
  • "Mother of the Artist" Everywoman's, 1955.
  • "The Man from Chicago" Bluebook, January, 1956.
  • "The Stubbornest Man" Saturday Evening Post, January 19, 1957.
  • "The Hustler" (original title, "The Actors") Playboy
  • "Operation Gold Brick" If, June, 1957. (alternate title: "The Goldbrick")
  • "The Ifth of Oofth", Galaxy, April, 1957
  • "The Big Bounce" Galaxy, February, 1958.
  • "Sucker's Game" Redbook, August, 1958.
  • "First Love" Redbook, August, 1958.
  • "Far From Home" Fantasy & Science Fiction, December, 1958.
  • "Alien Love" (author's title: "The Man from Budapest") Cosmopolitan, January, 1959.
  • "A Short Ride in the Dark" Toronto Star Weekly Magazine, April 4, 1959.
  • "Gentle Is the Gunman" Saturday Evening Post, August 13, 1960.
  • "The Other End of the Line" Fantasy & Science Fiction, November, 1961.
  • "The Machine That Hustled Pool" Nugget, February, 1961.
  • "The Scholar's Disciple" College English, October, 1969.
  • "The King Is Dead" Playboy, September, 1973.
  • "Rent Control" Omni, October, 1979.
  • "The Apotheosis of Myra" Playboy, July, 1980.
  • "Echo" Magazine of Fantasy & Science Fiction, October, 1980.
  • "Out of Luck" Omni, November, 1980.
  • "Sitting in Limbo" Far from Home, 1981.
  • "Daddy" Far from Home, 1981.
  • "A Visit from Mother" Far from Home, 1981.

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Famous quotes containing the word works:

    “Artists, whatever their medium, make selections from the abounding materials of life, and organize these selections into works that are under the control of the artist.... In relation to the inclusiveness and literally endless intricacy of life, art is arbitrary, symbolic and abstracted. That is its value and the source of its own kind of order and coherence.”
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