Walter Tevis - Works

Works

Novels
  • The Hustler, Harper & Row, 1959
  • The Man Who Fell to Earth, Gold Medal Books, 1963
  • Mockingbird, 1980
  • The Steps of the Sun, 1983
  • The Queen's Gambit, 1983
  • The Color of Money, 1984
Collections
  • Far from Home, Doubleday, 1981
Short stories

Some of these stories were reprinted in 1981 in Far from Home:

  • "The Best in the Country" Esquire, November, 1954.
  • "The Big Hustle" Collier's, August 5, 1955.
  • "Misleading Lady" The American Magazine, October, 1955.
  • "Mother of the Artist" Everywoman's, 1955.
  • "The Man from Chicago" Bluebook, January, 1956.
  • "The Stubbornest Man" Saturday Evening Post, January 19, 1957.
  • "The Hustler" (original title, "The Actors") Playboy
  • "Operation Gold Brick" If, June, 1957. (alternate title: "The Goldbrick")
  • "The Ifth of Oofth", Galaxy, April, 1957
  • "The Big Bounce" Galaxy, February, 1958.
  • "Sucker's Game" Redbook, August, 1958.
  • "First Love" Redbook, August, 1958.
  • "Far From Home" Fantasy & Science Fiction, December, 1958.
  • "Alien Love" (author's title: "The Man from Budapest") Cosmopolitan, January, 1959.
  • "A Short Ride in the Dark" Toronto Star Weekly Magazine, April 4, 1959.
  • "Gentle Is the Gunman" Saturday Evening Post, August 13, 1960.
  • "The Other End of the Line" Fantasy & Science Fiction, November, 1961.
  • "The Machine That Hustled Pool" Nugget, February, 1961.
  • "The Scholar's Disciple" College English, October, 1969.
  • "The King Is Dead" Playboy, September, 1973.
  • "Rent Control" Omni, October, 1979.
  • "The Apotheosis of Myra" Playboy, July, 1980.
  • "Echo" Magazine of Fantasy & Science Fiction, October, 1980.
  • "Out of Luck" Omni, November, 1980.
  • "Sitting in Limbo" Far from Home, 1981.
  • "Daddy" Far from Home, 1981.
  • "A Visit from Mother" Far from Home, 1981.

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    Any balance we achieve between adult and parental identities, between children’s and our own needs, works only for a time—because, as one father says, “It’s a new ball game just about every week.” So we are always in the process of learning to be parents.
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    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
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