The Walt Disney anthology television series is a television series that has been produced by the Walt Disney Company under several different titles since 1954. These include Disneyland (1954–1958), Walt Disney Presents (1958–1961), Walt Disney's Wonderful World of Color (1961–1969), The Wonderful World of Disney (1969–1979), Disney's Wonderful World (1979–1981), Walt Disney (1981–1983), The Disney Sunday Movie (1986–1988), The Magical World of Disney (1988–1996), then finally back to The Wonderful World of Disney (1997–2008, 2012–present), and The Magical World of Disney Junior (2012–present).
The first incarnation of the show premiered on ABC, Wednesday night, October 27, 1954. The same basic show has since appeared on several networks. The series supposed finale aired Christmas Eve 2008 on ABC, but it was revived in 2012 on Disney Junior. The show is the second longest showing prime-time program on American television, behind its rival, Hallmark Hall of Fame (see List of longest running U.S. primetime television series). However, Hallmark Hall of Fame was a weekly program only during its first five seasons, while Disney remained a weekly program for more than thirty years.
Read more about Walt Disney Anthology Television Series: Overview, Reruns, Format, Films Not Yet Televised, Theme Music, Show Titles, Home Video
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“What thoughts I have of you tonight, Walt Whitman,”
—Allen Ginsberg (b. 1926)
“For him nor deep nor hill there is,
But all’s one level plain he hunts for flowers.”
—Unknown. The Thousand and One Nights.
AWP. Anthology of World Poetry, An. Mark Van Doren, ed. (Rev. and enl. Ed., 1936)
“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it!—that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms—nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”
—Joyce Carol Oates (b. 1938)
“If the technology cannot shoulder the entire burden of strategic change, it nevertheless can set into motion a series of dynamics that present an important challenge to imperative control and the industrial division of labor. The more blurred the distinction between what workers know and what managers know, the more fragile and pointless any traditional relationships of domination and subordination between them will become.”
—Shoshana Zuboff (b. 1951)