Walking Distance - Musical Score

Musical Score

Unlike some episodes of the show that were accompanied by pre-composed stock music cues, Walking Distance was underscored with music specially written for it. As for other Twilight Zone episodes, Bernard Herrmann—also composer of the first season's main title music and most of its stock music—wrote the music for this one. The very intimate and tuneful score has an isolated running time of about 19 minutes and is played by a 19-piece-orchestra consisting of strings (violins, violas, cellos, basses) and one harp. Due to the high popularity of the episode and the music itself the score has received several releases on CD in its original film version in monoaural sound and two re-recordings in stereo as well, one done by Joel McNeely with the Royal Scottish National Orchestra (the only complete version) and the other by William Stromberg conducting the Moscow Symphony Orchestra. Orchestrator John Morgan enlarged all sections of the orchestra for the latter, referring to Samuel Barber's Adagio for Strings as Herrmann's main influence on the score in the liner notes.

Read more about this topic:  Walking Distance

Famous quotes containing the words musical and/or score:

    A pregnant woman and her spouse dream of three babies—the perfect four-month-old who rewards them with smiles and musical cooing, the impaired baby, who changes each day, and the mysterious real baby whose presence is beginning to be evident in the motions of the fetus.
    T. Berry Brazelton (20th century)

    Women who are either indisputably beautiful, or indisputably ugly, are best flattered upon the score of their understandings; but those who are in a state of mediocrity are best flattered upon their beauty, or at least their graces: for every woman who is not absolutely ugly, thinks herself handsome.
    Philip Dormer Stanhope, 4th Earl Chesterfield (1694–1773)