Works
Most of Davies' compositions were religious in flavour, and include the oratorio Everyman, other works for orchestra, choir and soloists, and a large number of services and anthems. He also wrote a setting of the Christmas carol "O Little Town of Bethlehem", a well-known choral arrangement of "The Holly and the Ivy" and the Solemn Melody, which can be heard on YouTube in a performance by Julian Lloyd Webber (cello) with Sir Neville Marriner and the Academy of St Martin in the Fields.
- Symphony in D, 1894
- Overture in D minor, 1897
- Cantata "Three Jovial Huntsmen," 1902
- Oratorio "Everyman," 1904
- Solemn Melody for Cello, Organ and Orchestra, 1908?
- Symphony in G, 1911
- Cantata "Song of St Francis," 1912
- Royal Air Force March Past (original version), 1918
- Anthem "Let us Now Praise Famous Men"
Publications: Rhythm in Church (London, 1913); The Pursuit of Music (London, 1935); Welshmen in London, 1897.
Read more about this topic: Walford Davies
Famous quotes containing the word works:
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)
“I lay my eternal curse on whomsoever shall now or at any time hereafter make schoolbooks of my works and make me hated as Shakespeare is hated. My plays were not designed as instruments of torture. All the schools that lust after them get this answer, and will never get any other.”
—George Bernard Shaw (1856–1950)
“And when discipline is concerned, the parent who has to make it to the end of an eighteen-hour day—who works at a job and then takes on a second shift with the kids every night—is much more likely to adopt the survivor’s motto: “If it works, I’ll use it.” From this perspective, dads who are even slightly less involved and emphasize firm limits or character- building might as well be talking a foreign language. They just don’t get it.”
—Ron Taffel (20th century)