Walford Davies - Works

Works

Most of Davies' compositions were religious in flavour, and include the oratorio Everyman, other works for orchestra, choir and soloists, and a large number of services and anthems. He also wrote a setting of the Christmas carol "O Little Town of Bethlehem", a well-known choral arrangement of "The Holly and the Ivy" and the Solemn Melody, which can be heard on YouTube in a performance by Julian Lloyd Webber (cello) with Sir Neville Marriner and the Academy of St Martin in the Fields.

  • Symphony in D, 1894
  • Overture in D minor, 1897
  • Cantata "Three Jovial Huntsmen," 1902
  • Oratorio "Everyman," 1904
  • Solemn Melody for Cello, Organ and Orchestra, 1908?
  • Symphony in G, 1911
  • Cantata "Song of St Francis," 1912
  • Royal Air Force March Past (original version), 1918
  • Anthem "Let us Now Praise Famous Men"

Publications: Rhythm in Church (London, 1913); The Pursuit of Music (London, 1935); Welshmen in London, 1897.

Read more about this topic:  Walford Davies

Famous quotes containing the word works:

    We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.
    Clive Bell (1881–1962)

    There is a great deal of self-denial and manliness in poor and middle-class houses, in town and country, that has not got into literature, and never will, but that keeps the earth sweet; that saves on superfluities, and spends on essentials; that goes rusty, and educates the boy; that sells the horse, but builds the school; works early and late, takes two looms in the factory, three looms, six looms, but pays off the mortgage on the paternal farm, and then goes back cheerfully to work again.
    Ralph Waldo Emerson (1803–1882)

    We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.
    —D.W. (David Wark)