Works
After the success of Haikara-san ga Tōru, she continued to create many manga, including the comedy Aramis '78 (series), Yokohama Monogatari (The Story of Yokohama), and N. Y. Komachi (The Belle of New York). The latter two were historical manga, set during the Meiji period.
The heroines of these stories were active girls who traveled overseas. Yamato's early work Reidii Mitsuko (Lady Mitsuko), 1976, was based on the true story of Mitsuko Aoyama, who was the mother of Richard Nikolaus Graf Coudenhove-Kalergi.
Similarly, in Yokohama Monogatri, Uno visits California, marries her Japanese lover there and returns to Yokohama, while Mariko visits London to meet her Japanese husband. In N. Y. Komachi tomboy Shino travels to New York and becomes a camerawoman. At the end she settles in America with her husband Danny.
Read more about this topic: Waki Yamato
Famous quotes containing the word works:
“We do not fear censorship for we have no wish to offend with improprieties or obscenities, but we do demand, as a right, the liberty to show the dark side of wrong, that we may illuminate the bright side of virtue—the same liberty that is conceded to the art of the written word, that art to which we owe the Bible and the works of Shakespeare.”
—D.W. (David Wark)
“The works of women are symbolical.
We sew, sew, prick our fingers, dull our sight,
Producing what? A pair of slippers, sir,
To put on when you’re weary or a stool
To stumble over and vex you ... “curse that stool!”
Or else at best, a cushion, where you lean
And sleep, and dream of something we are not,
But would be for your sake. Alas, alas!
This hurts most, this ... that, after all, we are paid
The worth of our work, perhaps.”
—Elizabeth Barrett Browning (1806–1861)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)