Vz. 58 - History

History

Development of the weapon began in 1956; leading the project was chief engineer Jiří Čermák assigned to the Konstrukta Brno facility in the city of Brno. The Soviet Union had begun insisting that the Warsaw Pact forces standardize on a common ammunition. As a result, the prototype, known as the "Koště" ("broom"), was designed to chamber the intermediate Soviet 7.62×39mm M43 cartridge, rather than the Czech 7.62×45mm vz. 52 round, used in both the earlier vz. 52 rifle and the vz. 52 light machine gun. The assault rifle entered service in 1958 and over a period of 25 years (until 1984), over 920,000 weapons had been produced, fielded by the armed forces of Czechoslovakia, Cuba and several other Asian and African nations.

The vz. 58 was produced in three main variants: the standard vz. 58 P (Pěchotní or "infantry") model with a fixed buttstock made of a synthetic material (wood impregnated plastic, older versions used a wooden stock), the vz. 58 V (Výsadkový—"airborne"), featuring a side-folding metal shoulder stock, folded to the right side, and the vz. 58 Pi (Pěchotní s infračerveným zaměřovačem—"infantry with infrared sight"), which is similar to the vz. 58 P but includes a receiver-mounted dovetail bracket (installed on the left side of the receiver) used to attach an NSP2 night sight; it also has a detachable folding bipod and an enlarged conical flash suppressor.

A successor to the vz. 58 was proposed in the 1990s; the 5.56×45mm NATO ČZ 2000 assault rifle has been suggested as a possible replacement but due to a general lack of defense funds within the Czech Republic, the program was postponed. Another recent contender is the ČZW-556 assault rifle and ČZW-762 light machine gun which both use lever-delayed blowback which has more reliable accuracy and performance over the gas operation.

Read more about this topic:  Vz. 58

Famous quotes containing the word history:

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)

    All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.
    Sarah M. Grimke (1792–1873)

    English history is all about men liking their fathers, and American history is all about men hating their fathers and trying to burn down everything they ever did.
    Malcolm Bradbury (b. 1932)