Television
Voodoo Doughnuts has been featured on the Travel Channel's Anthony Bourdain's No Reservations, Man v. Food, Doughnut Paradise, and G4's Attack of the Show, as well as the Pacific Northwest edition of Globe Trekker. It was a destination in the season finale of the 13th season of The Amazing Race.
In 2010, television documentary The Simpsons 20th Anniversary Special – In 3-D! On Ice! featured a segment in which filmmaker Morgan Spurlock paid a visit to the Voodoo Doughnut Too location.
Jay Leno included Voodoo Doughnut in a Tonight Show opening monologue: "Did you hear about the doughnut shop in Portland, Oregon, that has caffeinated doughnuts? Yeah, I guess you can stay awake during your bypass surgery." Voodoo Doughnut would later be mentioned again when Amanda Seyfried appeared on the show in support of her 2012 film, Gone.
The shop's doughnuts, including the distinctive box, appeared in a fourth-season episode of the TNT drama series Leverage. This episode of the show, which films in Portland, was the first actually set in that city. Additionally, the pink box has appeared on Grimm and the episode Like a Virgin of Supernatural.
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Famous quotes containing the word television:
“We cannot spare our children the influence of harmful values by turning off the television any more than we can keep them home forever or revamp the world before they get there. Merely keeping them in the dark is no protection and, in fact, can make them vulnerable and immature.”
—Polly Berrien Berends (20th century)
“So by all means let’s have a television show quick and long, even if the commercial has to be delivered by a man in a white coat with a stethoscope hanging around his neck, selling ergot pills. After all the public is entitled to what it wants, isn’t it? The Romans knew that and even they lasted four hundred years after they started to putrefy.”
—Raymond Chandler (1888–1959)
“Photographs may be more memorable than moving images because they are a neat slice of time, not a flow. Television is a stream of underselected images, each of which cancels its predecessor. Each still photograph is a privileged moment, turned into a slim object that one can keep and look at again.”
—Susan Sontag (b. 1933)