Volvo 164 - History

History

Jan Wilsgaard designed what would eventually become the 164 in the late 1950s as a concept car called the P358 and powered by a V8 engine. The front styling was inspired both by the Wolseley 6/99 and the Volvo P1900.

In 1968 Volvo introduced the 164 as a luxury version of their 140 series. The wings, the grille, the front bumper, the bonnet, the headlamp bezels, and the front indicators were all unique to the 164; to accommodate the long 3-litre 6-cylinder engine the 164's wings and bonnet were longer than those of the 4-cylinder 140, but the overall height and width of the 164 were the same as the 140 series. The interior featured a simulated woodgrain dashboard face and leather seating surfaces. Introduced the same year as the BMW E3, the 164 was Volvo's answer to the Mercedes-Benz 250 and Jaguar XJ6. Despite being relatively heavy, the 164 gave favourable fuel economy compared to other 6-cylinder European cars of similar dimensions such as the BMW 530.

In 1973 the 164 received a facelift including new rear and side lamps, a new grille and front bumper, new flush-mounted lift-type exterior door handles, new wing mirrors, and a new instrument cluster and dashboard which included air ducts. In 1974 the vent wings were eliminated from the front doors, and the 164 became one of the earliest cars to offer heated seats. For the final model year of 1975, the 164 received new larger 6-panel rear lamps, new front seats, a new style of badging, extensive changes to the rear suspension, and the parking brake handle was moved from outboard to inboard of the driving seat.

For 1976 the 164 was replaced by the 264 which was powered by the PRV 2.7-liter V6 engine.

Read more about this topic:  Volvo 164

Famous quotes containing the word history:

    The history of the genesis or the old mythology repeats itself in the experience of every child. He too is a demon or god thrown into a particular chaos, where he strives ever to lead things from disorder into order.
    Ralph Waldo Emerson (1803–1882)

    One classic American landscape haunts all of American literature. It is a picture of Eden, perceived at the instant of history when corruption has just begun to set in. The serpent has shown his scaly head in the undergrowth. The apple gleams on the tree. The old drama of the Fall is ready to start all over again.
    Jonathan Raban (b. 1942)

    The principle that human nature, in its psychological aspects, is nothing more than a product of history and given social relations removes all barriers to coercion and manipulation by the powerful.
    Noam Chomsky (b. 1928)