Features
With the internal combustion engine and transaxle mounted very low in the back, the T3 had much larger disc brakes in the front, and drums in the rear. Axle weight is very nearly equal upon both the front and back ends of the vehicle. Unlike the T2 before it, the T3 was available with amenities such as power steering, air conditioning, power door locks, electrically controlled and heated mirrors, lighted vanity mirrors, and a light above the glove box (most of which were essentially standard equipment in later models).
The automatic was a standard hydraulic three-speed unit, the same 090/010 unit as used in Audis of the era. These featured a cast aluminium alloy case for the transmission section, and a cast iron case for the final drive section.
The 091 manual transmission was a four-speed unit, featuring a lightweight aluminium alloy case; later waterboxers had 5-speed transmission fitted as standard.
The automatic features a 1.0 ratio top gear, while the manual features a 0.85 top gear.
The oil filler tube for the engine is located behind the flip-down license plate door. Most early vans had a twist-on/off gas cap right on the outside just under and behind the passenger side door. A locking cap was optional. The spare tyre lies in a tray under the very front of the van (as the engine is in the back), just below the radiator.
Read more about this topic: Volkswagen Type 2 (T3)
Famous quotes containing the word features:
“All visible objects, man, are but as pasteboard masks. But in each eventin the living act, the undoubted deedthere, some unknown but still reasoning thing puts forth the mouldings of its features from behind the unreasoning mask. If man will strike, strike through the mask!”
—Herman Melville (18191891)
“Art is the child of Nature; yes,
Her darling child, in whom we trace
The features of the mothers face,
Her aspect and her attitude.”
—Henry Wadsworth Longfellow (18071882)
“The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.”
—Marcel Proust (18711922)