Vladimir Mayakovsky - Literary Life

Literary Life

The 1912 Futurist publication A Slap in the Face of Public Taste (Пощёчина общественному вкусу) contained Mayakovsky's first published poems: Night (Ночь) and Morning (Утро). Because of their political activities, Burlyuk and Mayakovsky were expelled from the Moscow Art School in 1914.

His work continued in the Futurist vein until 1914. His artistic development then shifted increasingly in the direction of narrative and it was this work, published during the period immediately preceding the Russian Revolution, which was to establish his reputation as a poet in Russia and abroad.

A Cloud in Trousers (1915) was Mayakovsky's first major poem of appreciable length and it depicted the heated subjects of love, revolution, religion and art, written from the vantage point of a spurned lover. The language of the work was the language of the streets, and Mayakovsky went to considerable lengths to debunk idealistic and romanticised notions of poetry and poets.

Your thoughts,
dreaming on a softened brain,
like an over-fed lackey on a greasy settee,
with my heart's bloody tatters I'll mock again;
impudent and caustic, I'll jeer to superfluity.

Of Grandfatherly gentleness I'm devoid,
there's not a single grey hair in my soul!
Thundering the world with the might of my voice,
I go by – handsome,
twenty-two-year-old.

Вашу мысль
мечтающую на размягченном мозгу,
как выжиревший лакей на засаленной кушетке,
буду дразнить об окровавленный сердца лоскут:
досыта изъиздеваюсь, нахальный и едкий.

У меня в душе ни одного седого волоса,
и старческой нежности нет в ней!
Мир огромив мощью голоса,
иду – красивый,
двадцатидвухлетний.

In the summer of 1915, Mayakovsky fell in love with a married woman, Lilya Brik, and it is to her that the poem "The Backbone Flute" (1916) was dedicated; she was the wife of his publisher, Osip Brik. The love affair, as well as his impressions of war and socialism, strongly influenced his works of these years. The poem "War and the World" (1916) addressed the horrors of World War I and "Man" (1917) is a poem dealing with the anguish of love.

Mayakovsky was rejected as a volunteer at the beginning of World War I, and during 1915-1917 worked at the Petrograd Military Automobile School as a draftsman. At the onset of the Russian Revolution, Mayakovsky was in Smolny, Petrograd. There he witnessed the October Revolution. He started reciting poems such as "Left March! For the Red Marines: 1918" (Левый марш (Матросам), 1918) at naval theatres, with sailors as an audience.

His satirical play Mystery-Bouffe was staged in 1918, and again, more successfully, in 1921.

After moving back to Moscow, Mayakovsky worked for the Russian State Telegraph Agency (ROSTA) creating — both graphic and text — satirical Agitprop posters. In 1919, he published his first collection of poems Collected Works 1909-1919 (Все сочиненное Владимиром Маяковским). In the cultural climate of the early Soviet Union, his popularity grew rapidly. From 1922 to 1928, Mayakovsky was a prominent member of the Left Art Front and went on to define his work as 'Communist futurism' (комфут). He edited, along with Sergei Tretyakov and Osip Brik, the journal LEF.

As one of the few Soviet writers who were allowed to travel freely, his voyages to Latvia, Britain, Germany, the United States, Mexico and Cuba influenced works like My Discovery of America (Мое открытие Америки, 1925). He also travelled extensively throughout the Soviet Union.

On a lecture tour in the United States, Mayakovsky met Elli Jones, who later gave birth to his daughter, an event which Mayakovsky only came to know in 1929, when the couple met clandestinely in the south of France, as the relationship was kept secret. In the late 1920s, Mayakovsky fell in love with Tatiana Yakovleva and to her he dedicated the poem "A Letter to Tatiana Yakovleva" (Письмо Татьяне Яковлевой, 1928).

The relevance of Mayakovsky's influence cannot be limited to Soviet poetry. While for years he was considered the Soviet poet par excellence, he also changed the perceptions of poetry in wider 20th century culture. His political activism as a propagandistic agitator was rarely understood and often looked upon unfavourably by contemporaries, even close friends like Boris Pasternak. Near the end of the 1920s, Mayakovsky became increasingly disillusioned with the course the Soviet Union was taking under Joseph Stalin: his satirical plays The Bedbug (Клоп, 1929) and The Bathhouse (Баня, 1930), which deal with the Soviet philistinism and bureaucracy, illustrate this development.

On the evening of April 14, 1930, Mayakovsky shot himself. The unfinished poem in his suicide note read, in part:

And so they say-
"the incident dissolved"
the love boat smashed up
on the dreary routine.
I'm through with life
and should absolve
from mutual hurts, afflictions and spleen.

Mayakovsky was interred at the Moscow Novodevichy Cemetery.

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