Career
Merchant took her stage name as a composite of the actress Vivien Leigh and her brother, who was a merchant seaman (cited by Michael Billington). She began acting professionally in 1942, with supporting juvenile roles in repertory, progressing to West End roles in such works as Noël Coward's Sigh No More and Ace of Clubs, becoming an established lead in repertory in the early 1950s. Merchant subsequently performed in many stage productions and several films, including Alfie (1966), Accident (1967), Frenzy (1972) and The Offence (also 1972). Her performance in Alfie gained her Academy Award and Golden Globe nominations for Best Supporting Actress, and the National Board of Review Award for Best Supporting Actress.
After Merchant married the playwright Harold Pinter in 1956, she appeared in many of his plays, including the 1960 revival of his first play, The Room at the Hampstead Theatre, A Slight Ache, A Night Out, The Collection and The Lover; the latter also a celebrated television production partnering Alan Badel at Associated Rediffusion, for which she was given an Evening Standard Theatre Award for Best Newcomer and the BAFTA Award for Best Actress, both in 1963.
Merchant subsequently appeared as Wendy in Tea Party opposite Leo McKern in 1965 and as Ruth in The Homecoming (1964) on stage (1965) and screen (1973). The last of his plays in which she performed on stage was Old Times (1971) as Anna. She played Lady Macbeth to Paul Scofield's Macbeth for the Royal Shakespeare Company in 1967, directed by Sir Peter Hall.
Merchant took the role of Madame in the Greenwich Theatre revival of Jean Genet's The Maids partnering Glenda Jackson and Susannah York: this was filmed in 1974 by Christopher Miles. In 1975, Merchant and Timothy Dalton headed the cast of a revival of Noël Coward's The Vortex at the Greenwich Theatre.
Read more about this topic: Vivien Merchant
Famous quotes containing the word career:
“I seemed intent on making it as difficult for myself as possible to pursue my “male” career goal. I not only procrastinated endlessly, submitting my medical school application at the very last minute, but continued to crave a conventional female role even as I moved ahead with my “male” pursuits.”
—Margaret S. Mahler (1897–1985)
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
—William Cobbett (1762–1835)
“I restore myself when I’m alone. A career is born in public—talent in privacy.”
—Marilyn Monroe (1926–1962)