Stanshall's next big success was Rawlinson End. (Much of the text can be found at "Vivarchive" and at "Rawlinson End Book") In the 1970s he recorded numerous sessions for BBC Radio 1's John Peel show which elaborated, with a mixture of eloquence and irreverence, on the weird and wonderful adventures of the inebriated and blimpish Sir Henry Rawlinson, his dotty wife Great Aunt Florrie, his "unusual" brother Hubert (who, for speed, stature and far-seeing, habitually goes on stilts), old Scrotum the wrinkled retainer, Mrs E, the rambling and unhygienic cook, and many other inhabitants of the crumbly Rawlinson End, plus its environs.
The Rawlinson family had been populating Stanshall's imagination for quite a while, their very first appearance (in name, at least) being on the Bonzos' 1967 number The Intro & The Outro: "Great to hear the Rawlinsons on trombone".
An LP, Sir Henry at Rawlinson End, which reworked some of the material from the Peel sessions, appeared in 1978. A sepia-tinted black and white film version (recently released on DVD), starring Trevor Howard as Sir Henry, and Stanshall as Hubert, followed in 1980. It was also based on the Peel recordings, with many variations from the LP. Some of the film's music was provided by Stanshall's friend Steve Winwood. A book of the same title by Stanshall, illustrated with stills from the film, was published by Eel Pie Publishing in 1980. Nominally a film novelisation, it was distilled from all the various versions of the story, including a good deal of material that was not used in the film.
A projected second book, The Eating at Rawlinson End, never appeared. It was to have started:
- "In the blue wardrobe of heaven are many unused clothes, too tight-fitting yet too beautiful to throw away. And in that wardrobe we hang our likenesses, yellow diaries yellowed with yesterday, thumb smeared with tomorrow. But the now, the present, like the hollow screech of ancient flamingos in search of shrimps, is still vibrantly shocking pink."
A second Rawlinson album, Sir Henry at N'didi’s Kraal (1984), recounts Sir Henry's disastrous African expedition, but omits the rest of the Rawlinson clan. According to Ki Longfellow-Stanshall, his widow, he regarded this recording as sub-standard and it was released without his knowledge and against his wishes. He was ill when making it, and the record company issued it as quickly as possible. Stanshall was often drunk and/or depressed during production, which took place on The Searchlight, a house boat he bought from Moody Blues and Wings' Denny Laine and moored between Shepperton and Chertsey on the River Thames. He lived on it from 1977 to 1983. Converted from a Second World War era submarine-chaser, it was forever taking on water and sank with all his possessions aboard. Almost all of them were retrieved, some the worse for water damage.
At Christmas 1996, BBC Radio 4 retrieved some of the Peel show recordings from the vault for a late-night repeat, but there seems to be little chance of a commercial release, though some have appeared on a bootleg CD together with some of Stanshall's collaborations with Keith Moon.
Sir Henry's final appearance was in a television commercial for Ruddles Real Ale (c. 1994), where he is portrayed by a cross-dressing Dawn French, presiding over a family banquet at a long table. Stanshall reprises the role of Hubert, reciting a poem loosely based on Edward Lear's The Owl and the Pussycat, at the end of which all the diners produce oars and row the table off-screen.
Another late appearance (c. early 1995) was as one of several "talking heads" on a 30-minute documentary produced by the pop group Pulp (to promote their single Do You Remember The First Time) talking about the experience of losing your virginity.
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