Vittore Carpaccio - Main Works

Main Works

  • The Healing of the Madman (c. 1496) -
  • Portrait of Man with Red Beret (1490–1493) -
  • The Legend of St. Ursula (1490–1496) -
  • Miracle of the Relic of the Cross at the Ponte di Rialto (c. 1496) -
  • Christ between Four Angels and the Instruments of the Passion (1496) -
  • The Flight into Egypt (1500) -
  • St. Catherine of Alexandria and St. Veneranda (c. 1500) -
  • Cycle in San Giorgio degli Schiavoni, Venice (1502–1507)
  • The Histories of St. Mary (1504–1508)
    • Birth of the Virgin -
    • The Marriage of the Virgin -
    • The Presentation of the Virgin -
  • Vision of St. Augustine (1502–1507) -
  • Holy Family and donors (1505) -
  • Holy Conversation (c. 1505) -
  • The Virgin Reading (1505–1510) -
  • Madonna and Blessing Child (1505–1510) -
  • St. Thomas in Glory between St Mark and St Louis of Toulouse (1507) -
  • Two Venetian Ladies (c. 1510) -
  • Portrait of a Woman (c. 1510) -
  • Presentation of Jesus in the Temple (1510) -
  • Portrait of a Knight (1510) -
  • Portrait of a Young Woman -
  • The Meditation on the Passion (c. 1510) -
  • St George and the Dragon (1516) -
  • The Lion of St Mark (1516) -
  • The Dead Christ (c. 1520) -
  • Stories from the Life of St. Stephen (1511–1520)
    • St Stephen is Consecrated Deacon (1511) -
    • The Sermon of St. Stephen (1514) -
    • Disputation of St. Stephen (1514) -
    • The Stoning of St Stephen (1520) -
    • Metamorphosis of Alcyone, Philadelphia Museum of Art

Read more about this topic:  Vittore Carpaccio

Famous quotes containing the words main and/or works:

    “I do not deny that there may be other well-founded causes for the hatred which various classes feel toward politicians, but the main one seems to me that politicians are symbols of the fact that every class must take every other class into account.”
    —José Ortega Y Gasset (1883–1955)

    “They commonly celebrate those beaches only which have a hotel on them, not those which have a humane house alone. But I wished to see that seashore where man’s works are wrecks; to put up at the true Atlantic House, where the ocean is land-lord as well as sea-lord, and comes ashore without a wharf for the landing; where the crumbling land is the only invalid, or at best is but dry land, and that is all you can say of it.”
    —Henry David Thoreau (1817–1862)