Television
On television. Gregg portrayed Mary Surratt, the woman hanged for conspiracy in the assassination of Abraham Lincoln, in the 1956 episode "The Mary Surratt Case" of NBC anthology series, The Joseph Cotten Show.
She made three appearances on the television series Alfred Hitchcock Presents and the syndicated Rod Cameron series, State Trooper. She appeared as Judge Banks in the episode "We, the Jury" (1958) Mr. Adams and Eve. Gregg also appeared in the episode "Postmarked for Death" (1958) of Tombstone Territory. In 1959, she appeared as Zina in the episode "The Meeting" of Bruce Gordon's short-lived docudrama, Behind Closed Doors. In the 1961-1962 television season, Gregg provided the voice of Maggie Bell in the ABC cartoon series, Calvin and the Colonel.
In 1961, she guest starred on NBC's anthology program, The Barbara Stanwyck Show. In 1962 she made two appearances on Gunsmoke. In 1963, she appeared on The Eleventh Hour, in two episodes. She appeared in an episode ("Three Men from Now"; 1965) of The Legend of Jesse James. In 1958 Gregg played Hilda Stone in an episode ("The Eight-Cent Reward") of Wanted: Dead or Alive. In 1959, 1963 and 1964, she guest starred on Rawhide in the episodes "Incident of the Misplaced Indians", "Incident of the Comancheros" and "Incident of the Banker". In 1964, she played "Mrs. Bronson" in an episode ("Confounding Her Astronomers") of Breaking Point.
Gregg may be best remembered for Dragnet. Jack Webb utilized her in dozens of roles on both radio and TV versions of the show as well as the Dragnet 1954 movie where she played the role of Ethel Starkie. In later years, she appeared on other shows produced by Webb's production company, Mark VII Limited (e.g., Adam-12, Emergency!). Gregg also played non-recurring character roles in four episodes of the long-running TV series Perry Mason, including the title role in the 1958 episode, "The Case of the Cautious Coquette."
Read more about this topic: Virginia Gregg
Famous quotes containing the word television:
“Television ... helps blur the distinction between framed and unframed reality. Whereas going to the movies necessarily entails leaving ones ordinary surroundings, soap operas are in fact spatially inseparable from the rest of ones life. In homes where television is on most of the time, they are also temporally integrated into ones real life and, unlike the experience of going out in the evening to see a show, may not even interrupt its regular flow.”
—Eviatar Zerubavel, U.S. sociologist, educator. The Fine Line: Making Distinctions in Everyday Life, ch. 5, University of Chicago Press (1991)
“Cultural expectations shade and color the images that parents- to-be form. The baby product ads, showing a woman serenely holding her child, looking blissfully and mysteriously contented, or the television parents, wisely and humorously solving problems, influence parents-to-be.”
—Ellen Galinsky (20th century)
“The television critic, whatever his pretensions, does not labour in the same vineyard as those he criticizes; his grapes are all sour.”
—Frederic Raphael (b. 1931)