Production
The producer was “Ralph Solomons” whose previous producing credits include The Green Shoes, Its the only way to Go, and A Persian Fairy Tale. While Hazel Adair’s name appears on the credits (as co-writer of the song “You Go Your Way”), she did not admit to co- producing the film until 1975, when she featured in an episode of the BBC's Man Alive concerning sex films. The revelation that prompted Cinema X magazine (Vol 4. No. 4) to remark that her films “are far removed from Miss Adair’s more cozy world of Crossroads, Hazel Adair’s other films include Clinic Exclusive (1971), Can You Keep It Up For a Week? (1974), Keep it Up Downstairs (1976), and the more mainstream Game for Vultures (1979).
“Klaus Vogel”, who wrote the script and the film's tie-in novelisation, was in fact Crossroads producer Beryl Vertue.
Virgin Witch was filmed in Surrey during 1970 and previewed in the December editions of Mayfair and Continental Film Review (in which the title was referred to as "The Virgin Witch"). However, the film is copyrighted as a 1971 production, and censorship problems would mean it was not widely seen until 1972. The country house location, Pirbright, Admiral's Walk would be later used in Satan's Slave (1976) and Terror (1978), which were both directed by Norman J. Warren.
Read more about this topic: Virgin Witch
Famous quotes containing the word production:
“Every production of an artist should be the expression of an adventure of his soul.”
—W. Somerset Maugham (1874–1965)
“The growing of food and the growing of children are both vital to the family’s survival.... Who would dare make the judgment that holding your youngest baby on your lap is less important than weeding a few more yards in the maize field? Yet this is the judgment our society makes constantly. Production of autos, canned soup, advertising copy is important. Housework—cleaning, feeding, and caring—is unimportant.”
—Debbie Taylor (20th century)
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)