Violin Musical Styles
Since the Baroque era the violin (Baroque violin) has been one of the most important of all instruments in classical music, for several reasons. The tone of the violin stands out above other instruments, making it appropriate for playing a melody line. In the hands of a good player, the violin is extremely agile, and can execute rapid and difficult sequences of notes. Indeed, the violin seems to lend itself to virtuosity more than any other instrument (its only possible rival is the piano), and top violinists have amazed their audiences with their skill since the 17th century.
The violin is also considered a very expressive instrument, which is often felt to approximate the human voice. This may be due to the possibility of vibrato and of slight expressive adjustments in pitch and timbre. Many leading composers have contributed to the violin concerto and violin sonata repertories.
Violins make up a large part of an orchestra, and are usually divided into two sections, known as the first and second violins. Composers often assign the melody to the first violins (who are often given more technically difficult music), while second violins play harmony, accompaniment patterns or the melody in a lower range than the first violins. A string quartet similarly has parts for first and second violins, as well as a viola part, and a bass instrument, such as the cello or, rarely, the double bass.
Read more about Violin Musical Styles: Popular Music, Jazz, Folk Music, Fiddle, Indian Classical Music
Famous quotes containing the words violin, musical and/or styles:
“The mastery of ones phonemes may be compared to the violinists mastery of fingering. The violin string lends itself to a continuous gradation of tones, but the musician learns the discrete intervals at which to stop the string in order to play the conventional notes. We sound our phonemes like poor violinists, approximating each time to a fancied norm, and we receive our neighbors renderings indulgently, mentally rectifying the more glaring inaccuracies.”
—W.V. Quine (b. 1908)
“Hell is full of musical amateurs: music is the brandy of the damned.”
—George Bernard Shaw (18561950)
“For the introduction of a new kind of music must be shunned as imperiling the whole state; since styles of music are never disturbed without affecting the most important political institutions.”
—Plato (c. 427347 B.C.)